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Crystal has never been a brand to chase excess. Instead, its approach to luxury has always been rooted in proportion, precision and service. With the introduction of its first-ever Owner’s Suite aboard Crystal Grace, the cruise line delivers its most considered statement yet, one that brings residential-scale living to the open ocean without compromising restraint or refinement. At 1,950 square feet, with an additional 1,965-square-foot veranda, the Owner’s Suite is designed to function as a private residence rather than a traditional stateroom. The layout prioritises flow and flexibility, allowing guests to entertain, work, rest and retreat with the ease of a well-designed home. The living space sets the tone. Walnut floors, bespoke wool carpets and handcrafted cabinetry create warmth and depth, while a fireplace and library introduce a sense of permanence rarely found at sea. Integrated Hi-Fi audio spans both interior and exterior areas, controlled through discreet LES touch panels that allow guests to curate sound across multiple zones without visible technology interrupting the design. The dining area is positioned to capture uninterrupted ocean views, supported by a butler’s pantry and personalised bar service, a reminder that Crystal’s interpretation of luxury is as much about service choreography as it is about space. In the master bedroom, residential comfort continues. A king-size bed or twin configuration is paired with generous walk-in wardrobes and an in-ceiling television that disappears when not in use. A custom sofa bench converts into a third sleeping space, preserving versatility while maintaining the room’s tailored aesthetic. Bathrooms are unapologetically indulgent. The master bath is fully clad in Italian Lasa marble and centred around a freestanding Jacuzzi, while the guest bath mirrors the same marble detailing and finish. Details such as a Dyson hairdryer reinforce the suite’s attention to modern luxury without overt branding. The veranda extends the living experience outward. Designed as a true private terrace, it features a whirlpool, outdoor shower and dining area, all supported by integrated sound that allows indoor and outdoor spaces to function as one, an increasingly essential expectation among ultra-luxury travellers. Wellness has been seamlessly integrated rather than set apart. A Technogym Bike Personal, designed by Antonio Citterio, serves as both a sculptural object and a high-performance training tool, combining personalised coaching, entertainment and uninterrupted ocean views. Design cues throughout the suite subtly reference Crystal’s identity. Turquoise quartzite, the brand’s signature colour, appears in select custom furniture pieces, while exceptionally fine fabrics and finishes reinforce a residential, tactile quality that avoids unnecessary ornamentation. Cristina Levis, CEO of Abercrombie & Kent Travel Group, describes the suite as a natural extension of the brand’s philosophy. “We’re introducing a suite that goes beyond expectations,” she says. “From its elegant interiors to its seamless technology and personalised services, this suite embodies what makes Crystal distinctive: attention to every detail and an elevated way of life at sea.” The Owner’s Suite sits at the pinnacle of Crystal Grace’s all-suite, all-veranda design. Scheduled for delivery in May 2028, the ship will embark on her inaugural voyage on 11 June 2028, continuing Crystal’s evolution under Abercrombie & Kent Travel Group,  one defined by design integrity, service excellence and a deep understanding of what modern luxury travellers value most. For those accustomed to private residences, chartered yachts and the world’s leading hotels, the Owner’s Suite aboard Crystal Grace offers something increasingly rare: space, privacy and discretion, delivered with the ease of life at sea.

Swiss watchmaker Breitling is officially stepping onto the Formula 1 grid for the first time, announcing a landmark partnership with the Aston Martin Aramco Formula One Team. To mark the moment, the brand has unveiled a striking new timepiece: the Navitimer B01 Chronograph 43 Aston Martin Aramco Formula One™ Team edition. The collaboration places Breitling firmly within the world of Formula 1 at a pivotal time for the sport. Anticipation is already building ahead of the 2026 season, which will usher in a new set of technical regulations and fresh visual identities across the grid. Aston Martin’s new challenger, the AMR26, designed under the leadership of legendary engineer Adrian Newey, is set to be unveiled on February 9, with Breitling confirmed as part of the team’s evolving visual and commercial identity. While this marks Breitling’s first official partnership within Formula 1, the brand’s relationship with motorsport runs far deeper than a logo on a car. “We’ve always been there,” Breitling CEO Georges Kern has said, pointing to a rich history that predates modern sponsorships. Racing legends including Jack Brabham, Graham Hill and Jim Clark were all known to wear Breitling watches in the 1960s and ’70s, using them as functional timing instruments long before luxury watch partnerships became commonplace. There is also a cultural crossover between the two brands. Both Breitling and Aston Martin share a connection to James Bond, having appeared on the wrist and in the garage of Sean Connery’s 007 in the 1965 film Thunderball , a detail that subtly reinforces the shared codes of performance, design and enduring cool. At the centre of the announcement is the watch itself. The Navitimer B01 Chronograph 43 Aston Martin Aramco Formula One™ Team edition is the first Navitimer ever produced in titanium, lending the iconic pilot’s watch a lighter, more contemporary feel. The carbon fibre dial features deep green undertones, complemented by a vivid green central seconds hand that nods unmistakably to Aston Martin’s racing heritage. The leather strap, inspired by classic automotive belts, is lined in British Racing Green, reinforcing the motorsport connection. Turn the watch over, and an open caseback reveals Breitling’s in-house B01 automatic chronograph movement, visible in full and COSC-certified for precision. Production is limited to just 1,959 piece, a considered reference to the year Aston Martin first entered Formula 1. For Breitling, the partnership represents a significant strategic investment and a statement of intent. “This is just the beginning,” Kern has said, signalling a long-term commitment to Formula 1 and to Aston Martin’s vision on and off the track. As the worlds of luxury watchmaking and elite motorsport continue to converge, Breitling’s arrival in Formula 1 feels less like a late entry and more like a natural evolution—one rooted in history, precision and performance, and now firmly focused on the future.

If subtlety has ever crossed Brabus’s mind, it didn’t stay long. The German tuner has unveiled its first-ever Lamborghini builds: the Brabus 900 Mint and the Brabus 900 Superblack, two extreme interpretations of the Lamborghini Urus SE that push power, presence and personality to their absolute limits. Both are unapologetically bold, aggressively styled and engineered to outperform an already outrageous super SUV. The most eye-catching of the pair is, without question, the 900 Mint. Finished head-to-toe in a vivid Mint Green, the SUV wears the colour across almost every visible surface—from its reworked body panels to its 24-inch Brabus Monoblock wheels. Only the grille, glazing and lighting elements escape the monochrome treatment. The dramatic finish is paired with a comprehensive carbon-fibre aero kit designed not just for visual impact, but to maximise downforce at speed. For buyers who prefer menace over mint, the 900 Superblack takes a stealthier approach. The body is cloaked almost entirely in black, contrasted by exposed carbon fibre on the most aggressive elements of the body kit. It’s a darker, more restrained take—but no less intimidating. Inside, restraint still isn’t part of the brief. Brabus has reworked the cabin with its signature maximalist approach, upholstering nearly every surface in premium leather. Both front and rear seats feature the brand’s distinctive “Ellipse” quilting pattern, while colourways mirror the exterior choices. The 900 Mint is trimmed in Stone Mint leather to match its bodywork, while the 900 Superblack opts for black leather accented with Alcantara for a more understated—but still unmistakably Brabus—finish. Beneath the dramatic styling lies serious performance. Brabus has extensively reworked the Urus SE’s plug-in hybrid 4.0-litre twin-turbocharged V8, increasing output from an already formidable 789 hp and 701 lb-ft of torque to a staggering 900 hp and 775 lb-ft. The result is supercar-rivalling performance: 0–60 mph in just 3.2 seconds and a top speed of 194 mph—figures that remain startling, even by Lamborghini standards. Naturally, exclusivity comes at a price. The Brabus 900 Mint starts at €583,070 (approximately $690,000), while the slightly less extroverted 900 Superblack begins at €439,000 (around $520,000). For collectors who believe the standard Urus simply isn’t enough, Brabus has delivered exactly what it does best: excess, engineered to perfection.

Dubai has once again confirmed its position as the world’s most powerful magnet for ultra-high-net-worth property buyers. New data from Knight Frank reveals that the emirate recorded more $10 million-plus home sales than any other city in the final quarter of 2025, further widening the gap between Dubai and long-established luxury strongholds. Across 12 major global markets tracked by the brokerage, 555 homes sold for at least $10 million during Q4, representing a 17 per cent increase on the previous quarter. Collectively, those transactions reached approximately $10.3 billion in value, with the average sale price rising to $18.6 million. In short: more trophy homes, changing hands faster, at higher prices. Dubai led the charge by a significant margin. The city recorded 143 super-prime transactions in just three months, with a combined value of $2.5 billion. That marked a 39 per cent increase in deal volume quarter-on-quarter, alongside a 27 per cent rise in total value. Over the past 12 months alone, Dubai has seen 500 ultra-luxury homes sell, more than three times the total recorded in London during the same period. According to Knight Frank, the surge reflects a decisive re-routing of global wealth. Buyers are increasingly prioritising low-tax jurisdictions, lifestyle-led living and political and economic stabilit, criteria that Dubai now meets with ease. World-class infrastructure, new-build supply at the very top end, and a maturing luxury ecosystem have helped the emirate evolve from a fast-growing market into a fully-fledged global safe haven for wealth. “Two stories stood out this quarter,” said Liam Bailey, Global Head of Research at Knight Frank. “First, Dubai’s record year capped a powerful multi-year run of wealth inflows and super-prime new-build delivery. Second, London’s fall to seventh place underscores how tax reform has weighed heavily on trading in the super-prime market.” Elsewhere, Hong Kong climbed into second place with 81 $10 million-plus transactions worth $1.57 billion, extending a rebound that suggests renewed confidence at the very top of the market. In the US, New York City and Los Angeles followed with 57 and 63 sales respectively, though both saw modest softening towards year-end as inventory tightened and seasonal slowdowns set in. Other notable movers included Sydney, which recorded a 58 per cent quarterly jump to 52 super-prime sales, and Miami, where activity surged 82 per cent to 40 deals. London, once a dominant force in this bracket, slipped to seventh place with just 35 transactions. Zooming out, Knight Frank tracked 2,164 super-prime sales globally over the 12 months ending Q4 2025, totalling $40.5 billion, the second-strongest rolling annual performance since 2021. Yet even within a buoyant global landscape, Dubai stands apart. For the world’s wealthiest buyers, the message is increasingly clear: the centre of gravity in ultra-luxury real estate has shifted. And for now, Dubai isn’t just leading the race, it’s accelerating away from the pack.

If you’re looking for a last-minute Valentine’s escape that feels genuinely romantic, not gimmicky, not heart-shaped-chocolates-on-the-pillow predictable, my advice is simple: book somewhere that already has atmosphere built in. Somewhere with history. Soft lighting. Space to slow down. Somewhere like Taschenbergpalais. I’d travelled to Dresden in winter for the Christmas markets, expecting festive charm and cosy evenings. What I didn’t expect was to find one of the most naturally romantic hotels I’ve stayed in, the kind of place that makes Valentine’s feel effortless rather than engineered. Because this isn’t just a hotel. It’s a palace in the heart of the old town, and you feel that grandeur immediately. Coffee, cake… and that realisation After an afternoon wandering the Christmas markets, cheeks pink from the cold, we ducked into Café Amalie Dresden, the hotel’s pâtisserie. It was all marble tables, chandeliers and velvet seating, impossibly elegant but still warm. We ordered coffee and cake and stayed far longer than planned. Watching the light fade outside, couples tucked into corners, candlelight flickering against crystal glasses, I had a very clear thought: This is exactly where you’d want to be on Valentine’s Day. It felt intimate. Unhurried. Grown-up. The sort of place where conversation stretches for hours and no one rushes you out the door. Evenings made for lingering Food plays a big role in the romance here, but in a refined, European way. Dinner isn’t theatre. It’s atmosphere. At Das Palais Restaurant Dresden, the hotel’s signature restaurant, the mood is elegant and candlelit, with a refined, modern take on regional cuisine. Think beautifully plated seasonal dishes, polished service and an atmosphere that encourages you to slow down, order another glass of wine and stay a little longer. It feels special without ever feeling stiff, exactly what you want for a Valentine’s dinner. Afterwards, stepping straight out into Dresden’s illuminated old town for a late-night stroll feels almost cinematic. It’s the simplest date night imaginable, and somehow the most memorable. The spa: slow, soft, restorative Then there’s the spa, which, for me, is what truly elevates this from “beautiful hotel” to “perfect romantic escape”. It’s calm in that distinctly European way: muted tones, warm water, quiet corners. We spent hours drifting between the pool, sauna and relaxation areas, wrapped in robes, phones firmly out of sight. No schedules. No pressure to be anywhere. Just stillness. For Valentine’s, it’s exactly what you want: space to simply be together . What to book If you’re doing this properly, especially for a romantic break, I’d recommend skipping entry-level rooms and booking at least a Junior Standard Suite. The extra space makes all the difference. Higher ceilings, generous proportions, room to actually lounge rather than just sleep. Ours felt like a private apartment rather than a hotel room, perfect for slow mornings, champagne at dusk, and those “shall we just stay in?” moments that end up being the highlight of the trip. For a couple’s escape, that comfort and breathing room is worth every penny. Why it works for Valentine’s Taschenbergpalais doesn’t try to manufacture romance. It simply creates the right conditions for it. A palace setting. Candlelit dinners. Coffee and cake at Amalie. Long spa afternoons. Suites you never want to leave. Winter walks through one of Europe’s most beautiful old towns. I went for the Christmas markets. But if I were booking a last-minute Valentine’s right now?This is exactly where I’d go back to. Because the best kind of romance isn’t planned down to the minute. It ’s checking into somewhere beautiful… and letting time slow down around you. https://www.kempinski.com/en/hotel-taschenbergpalais

For the seasoned skier, the hotel matters just as much as the snow. Direct slope access, seamless service, a proper spa for post-piste recovery and a restaurant worth dressing up for, these are the details that turn a ski trip into a winter ritual. And as luxury travel continues to shift towards experience-led stays, 2026’s most desirable ski hotels are combining location with lifestyle, offering everything from ski-in suites to heated outdoor pools overlooking the Alps. From family-friendly favourites in Flaine to legendary addresses in St Moritz and design-forward retreats across France and Italy, here’s where to check in this winter. 🇫🇷 Flaine, French Alps — Effortless Ski-In Living Flaine has long been a quiet favourite for families and in-the-know skiers who value convenience over crowds. Set within the vast Grand Massif ski area, the resort pairs reliable snow with practical, ski-to-door accommodation, ideal for mornings when you’d rather be first on the lift than navigating buses or boot rooms. Pierre & Vacances Premium Les Terrasses d’Eos A standout for 2026, this premium residence offers genuine ski-in, ski-out access alongside sweeping mountain views and apartment-style living that feels considered rather than corporate. Expect spacious layouts, balconies overlooking the pistes and a welcome post-ski ritual: the heated outdoor pool and spa, perfect for easing tired legs after a long day on the snow. Pierre & Vacances La Forêt A more relaxed, self-catered base that’s ideal for groups or longer stays, La Forêt delivers comfort and practicality in equal measure. Its easy access to lifts and central village location make it particularly appealing for families who want flexibility without sacrificing proximity to the slopes. Other well-rated options include the sociable Totem Friendly Hotel & Spa, known for its lively après-ski scene and contemporary interiors, RockyPop Flaine Hotel & Spa for a fun, design-led atmosphere, and Pierre & Vacances Premium Les Terrasses d’Hélios, another slopeside stay with excellent wellness facilities. 🇫🇷 Design-Led & Iconic Alpine Escapes For travellers who treat skiing as a lifestyle rather than a sport, France’s most prestigious resorts continue to set the standard for design, dining and discreet luxury. Maya Hotel Courchevel 1850 New and already coveted, this boutique address brings a fresh aesthetic to Courchevel’s traditional chalet scene. Japanese-inspired minimalism meets alpine warmth, with refined interiors, thoughtful service and a culinary focus that rivals the slopes themselves. It’s the sort of place you return to for the atmosphere as much as the skiing. Airelles Val d’Isère Mademoiselle The crown jewel of the resort. Designed like an elegant private château, Airelles blends old-world alpine romance with impeccable five-star service. Expect richly layered interiors, a sprawling Guerlain spa, multiple restaurants and genuinely ski-in, ski-out access. It’s indulgent without being ostentatious, the sort of place where families return year after year and staff remember your name. For something slightly more low-key but still refined, Hotel Christiania Val d’Isère offers a cosy, chalet-style atmosphere with a loyal following and excellent slopeside positioning, while Hôtel Le Blizzard Val d’Isère remains a long-standing favourite for its warm service, strong spa and lively après scene. 🇨🇭 Swiss Legends & Luxury Classics If France is fashion-forward, Switzerland is timeless. These are the grande dame hotels that have been hosting royalty, film stars and discreet billionaires for generations. Badrutt’s Palace Hotel Few names carry as much weight in the Alps. Overlooking the frozen lake in St. Moritz, Badrutt’s is pure old-world glamour: immaculate suites, white-glove service and evenings that feel closer to black-tie than base layer. A bucket-list stay that transforms a ski holiday into an occasion. Nearby, Kulm Hotel St. Moritz and W Verbier offer two different interpretations of Swiss luxury — the former classic and heritage-rich, the latter sleek, contemporary and social. The Chedi Andermatt Arguably Switzerland’s most design-forward ski hotel, The Chedi feels more like a private members’ club than a mountain base. Think dark wood interiors, roaring fireplaces, cavernous suites and one of the most impressive spas in the Alps, complete with indoor and outdoor pools overlooking the snow. With ski valets handling boots and seamless service throughout, it’s the sort of place where everything feels quietly effortless — exactly how luxury should. 🇮🇹 Italian Ski Style For those who prefer their ski days with sunshine and their evenings with great food, Italy offers a softer, more relaxed take on alpine luxury. VRetreats Cervino Positioned close to the Matterhorn and the Cervinia–Zermatt ski area, this newer five-star hotel delivers Italian warmth with polished comfort. Spacious rooms, strong dining and easy access to cross-border skiing make it a smart choice for travellers seeking excellent terrain without the formality — or prices — of some Swiss neighbours. Cristallo, a Luxury Collection Resort & Spa, Cortina d’Ampezzo A true grande dame of the Dolomites, Cristallo sits high above the town like a pink-hued palace, with panoramic mountain views from almost every angle. Inside, it’s all polished marble, old-world elegance and hushed service, balanced by a vast spa and shuttle access to the slopes. It’s less about ski-in convenience and more about atmosphere — the kind of place you dress for dinner and linger over dessert.

Matt Eley is a UK-based contemporary artist known for his text-led canvases that explore imperfection, time and the emotional resonance of language. With a background in graphic design, his practice emerged as a deliberate move away from digital perfection and towards physical consequence. Working with layered, worn surfaces and restrained palettes, Eley’s hand-painted phrases sit in the space between humour and discomfort, inviting reflection, recognition and quiet connection within the home. In an era shaped by polish, optimisation and endless revision, Matt Eley works with consequence. After decades in graphic design, Eley found himself acutely aware of how much modern creative practice is built around control. “My job was to refine, align, and resolve things until they were clear, functional, and approved,”  he says. Over time, that relentless pursuit of perfection began to feel disconnected from lived experience. “The work looked right, but it did not always feel true.” Digital environments allow for constant adjustment, mistakes erased, outcomes softened. Risk, Eley realised, had become optional. What he missed was resistance. From Control to Consequence Moving into physical, tactile practice was less a departure than a correction. “I wanted resistance,”  he explains. “Surfaces that push back, paint that does not behave, marks that cannot be fully controlled or erased.” Unlike pixels, a canvas remembers. “A wrong move doesn’t disappear,”  Eley says. “It becomes part of the history of the piece.”  That permanence, he believes, reflects how life actually unfolds...not in clean layers that can be toggled on and off, but in accumulations: edits, scars, and moments that remain visible beneath the surface. His canvases are built up and worn back repeatedly, echoing walls that have been painted over for years. The result is work that feels lived-in, even when newly made. Why Imperfection Matters Now Imperfection, for Eley, is not aesthetic rebellion buta philosophical position. “Perfection is closed. Imperfection is open,”  he says. “Perfection presents itself as final. Imperfection leaves space.” Cracks, texture and unevenness invite interpretation. They suggest time, process and vulnerability. In a culture saturated with filters and curated identities, Eley sees this openness as quietly radical. “Letting things be raw, off-centre, or worn feels like a refusal,”  he says. “It’s my way of saying this is allowed to be human.” Words That Feel Like Thoughts Language sits at the core of Eley’s practice, but never as a slogan or statement. His phrases often feel unfiltered, closer to internal commentary than polished declaration. “A lot of them start as internal thoughts,”  he explains, “the kind people don’t usually say out loud.” Some emerge from personal experience; others are overheard fragments or culturally familiar lines, subtly reframed. What matters is the tension they hold. “I’m interested in the space between humour and discomfort,”  Eley says. “A line might make you smirk at first, then sit heavier the longer you live with it.” That slow reveal keeps the language alive. When Simplicity Carries Weight Phrases such as So far, So good,  or Doing what I can with what I’ve got , feel deceptively plain. Their strength lies in what they leave unsaid. “The words work when they feel simple but carry weight,”  Eley explains. “If I can say it quickly but it opens up meaning, it’s usually right.” He is careful not to chase provocation for its own sake. “If something is provocative but shallow, it doesn’t last,”  he says. “My goal is not to attack the viewer. It’s to meet them somewhere real... even if that place is uncomfortable.” Against the Weightlessness of the Digital In a world where language is endlessly scrolled, replicated and discarded, Eley believes words have lost mass. “Words online are becoming increasingly weightless,”  he says. “You can scroll past hundreds in minutes.” Painted by hand, language behaves differently. “When words are painted, they occupy physical space,”  he explains. “You can see hesitation in a stroke, pressure of the hand, moments where things went wrong.”   That physicality demands attention. The words stop being content and become objects, something you live with rather than consume. Living With Difficult Truths Not all of Eley’s phrases are comforting. Some sit openly with vulnerability or emotional tension. Yet he sees people choosing to live with those words as a form of recognition. “Not every honest thought is uplifting,”  he says, “but naming something can make it lighter, or at least shared.” Rather than irony, the act becomes reflective. The work allows space for the full emotional register of being human. Time is embedded into Eley’s canvases. “I want the surface to feel like it has a past,”  he explains. “Even if it was made recently.”  The erosion is intentional, a way of allowing memory to exist within the material itself. Language, he notes, works in much the same way. “New thoughts layer over old experiences,”  he says, “with memories still half visible beneath the surface.” Restraint as Design Predominantly monochrome, Eley’s work resists decoration. “Limiting colour keeps the focus on the language and the surface,”  he says. While commissions may occasionally call for colour, it is never ornamental. “The language has to remain the anchor.” In a culture obsessed with finish and performance, Matt Eley’s work offers something quieter, honesty with texture, words with weight, and art that is unafraid to show where it has been. https://www.matteley.org/ This is a sponsored editorial feature created in partnership with Matt Eley.

Brown mascara is quietly having a moment, and this time, it’s firmly rooted in luxury. While black mascara will always have its place (particularly after dark), brown offers something far more nuanced. Softer, warmer and infinitely more wearable, it enhances lashes without overpowering the face, creating that elusive effortless polish  luxury beauty does so well. It’s especially flattering for daytime wear, minimal make-up looks, and anyone leaning into quiet luxury aesthetics. A rich chocolate or espresso tone defines the lash line while maintaining a natural finish, perfect for fresh skin, brushed brows and softly sculpted eyes. Here, we’ve curated The Life of Luxury  edit of the finest brown mascaras, focusing on premium formulas, elevated brushes and shades that whisper rather than shout. Gucci Mascara L’Obscur in Brown Gucci’s take on mascara is every bit as fashion-forward as you’d expect. The creamy, buildable formula delivers subtle volume with a soft satin finish, while the ribbed brush grips even the smallest lashes. The brown shade feels refined rather than retro — ideal for modern, pared-back beauty. Chanel Le Volume de Chanel Mascara in Brun An icon for a reason. Chanel’s Le Volume delivers instant fullness without heaviness, and the brown shade adds depth while keeping things understated. It’s polished, elegant and perfectly suited to classic, timeless make-up looks. Dior Diorshow Mascara in Brown Inspired by backstage beauty at Dior shows, this mascara offers flexible volume and impressive length. The brown shade softens the overall effect, making it ideal for everyday wear while still delivering that unmistakable Dior drama — just dialled down. Victoria Beckham Beauty Future Lash Mascara in Brown Designed with modern women in mind, this mascara is all about definition without stiffness. The tubing formula resists smudging and removes effortlessly, while the brown hue enhances lashes with a clean, natural finish that feels very VB . Westman Atelier Eye Love You Mascara in Clean Brown Luxury meets clean beauty. Westman Atelier’s mascara conditions lashes while delivering separation and length. The brown shade feels intentionally subtle, perfect for “no-make-up” make-up days and glowing skin. Sisley So Intense Mascara in Deep Brown A skincare-infused mascara that actually treats the lashes over time. Sisley’s formula boosts volume and curl while strengthening lashes with repeated use. The deep brown shade is rich and flattering, offering definition without stark contrast. Tom Ford Emotionproof Mascara in Brown This is brown mascara with presence. The formula lifts, thickens and defines, while the shade adds warmth and dimension. Ideal if you want impact without committing to jet black, especially stunning for evening looks with a softer edge. Charlotte Tilbury Pillow Talk Push Up Lashes! in Dream Pop Brown A softer take on Charlotte Tilbury’s cult favourite. The brown version delivers lift, length and definition while maintaining a romantic, wide-eyed effect — perfect for daytime glamour or bridal-adjacent beauty. Lancôme Hypnôse Mascara in Brun Hypnotic A true classic in luxury beauty. Hypnôse offers controlled volume with a supple, flexible finish, and the brown shade gives lashes a natural fullness that works beautifully for everyday elegance. All products on this page have been selected by The Life of Luxury editorial team. Some links may be affiliate links.

At the 2026 Miami International Boat Show, ARKHAUS is redefining what it means to live on the water. Previewed inside a dedicated ARKHAUS space within the Ferretti Group exhibition at the Miami Beach Yacht Collection, the Villa 50 marks the brand’s most ambitious evolution to date: a next-generation 50-foot floating villa that blends architecture, design, and lifestyle, with interiors conceived by the legendary Italian design house Pininfarina. More than a yacht, the Villa 50 is best described as real architecture on water. Designed to feel solid, spacious, and genuinely liveable, it challenges traditional expectations of what a floating vessel can be, equally at home as a private waterfront residence, a social or hospitality venue, or a creative retreat. Architecture, Not Just a Yacht Unlike conventional yachts that rely on anchoring, the Villa 50 uses deployable spuds that lift and stabilise the structure from the seabed. The result is a calm, almost land-like experience on the water, a crucial detail for owners seeking extended stays, entertaining, or commercial use without the constant motion typically associated with life afloat. This sense of permanence and stability underpins the Villa 50’s design philosophy: creating a space that feels intentional, architectural, and human-centred. Pininfarina Brings a New Interior Language to the Water At the heart of the Villa 50 debut is a completely new interior concept by Pininfarina, the globally renowned design house celebrated for its work across automotive, mobility, architecture, and industrial design, including collaborations with Ferrari, Maserati, Coca-Cola, and leading global real estate developers. For ARKHAUS, Pininfarina has developed an interior language rooted in lightness, comfort, and spatial flow, combining marine-grade and commercial materials with the refined sensibility of contemporary architectural design. Fully enclosed in glass, the interior rises as a sculptural volume above the water, conceived through a 360-degree design approach. Every space is visually connected, open to its surroundings, and designed to guide movement intuitively. Thoughtful architectural elements, including stair placement, allow the layout to shift seamlessly between private residential living and social or hospitality-led configurations. The result is an environment where indoor and outdoor living blur effortlessly, and where innovation, elegance, and environmental responsibility coexist. A Modular Vision for Life on the Water The Villa 50 platform supports multiple layouts, including one-bedroom, two-bedroom, and commercial configurations. For some, it represents a waterfront home or guest house; for others, a floating lounge, private members’ space, creative studio, or hospitality venue. Looking ahead, ARKHAUS envisions the Villa 50 as part of a broader modular ecosystem, one that could expand into floating communities where architecture and nautical design merge into a new residential model. “Villa 50 suggests a new way of living; an alternative residential model capable of expanding into a modular, floating community where nautical design and architecture merge into a people-centred experience,” says Paolo Trevisan, Senior Vice President of Design at Pininfarina of America. From Private Living to Social Club At the Miami International Boat Show, ARKHAUS will also preview the next evolution of its social club concept, demonstrating how the Pininfarina interior adapts fluidly from private living to hospitality-driven experiences. “Pininfarina’s approach brings a refined sense of style and emotion to the Villa 50,” says Sam Payrovi, CEO of ARKHAUS. “This collaboration defines how ARKHAUS will look and feel across recreational and commercial expressions moving forward.” The Villa 50 is constructed by Lyman-Morse, the storied American boatbuilder known for precision craftsmanship and advanced construction techniques. Together, ARKHAUS and Lyman-Morse have created a vessel where uncompromising quality meets a forward-thinking approach to sustainable living on the water. During the show, visitors can step aboard the current ARKHAUS yacht and explore renderings and design materials showcasing the new Pininfarina interior concept for the Villa 50. Appointments are now available throughout the Miami International Boat Show to preview and pre-order one-bedroom, two-bedroom, and commercial floorplans. To request an appointment or pre-order the Villa 50, visit arkha.us/villa50 .

There is a quiet shift happening in the beauty world, one that feels less about chasing youth and more about restoring harmony. It was with that mindset that I found myself arriving at The Fairmont Windsor Park, home to The FaceBible, for an exclusive preview of 3D ReFirm by 3D Aesthetics UK , the newest non-surgical skin-tightening treatment launching in the UK. Set within the calm, cocooning interiors of the Fairmont, the atmosphere felt more like a private wellness retreat than a clinical appointment. Soft light filtered through muted interiors, conversations were unhurried, and from the moment I arrived, it was clear this was a treatment designed for a more discerning, informed client, one who values science as much as subtlety. Why 3D ReFirm, and Why Now? With the rise of GLP-1 weight-loss injections, we’re seeing a new conversation emerge around the after . Rapid weight loss can be transformative, but it often leaves behind loose or compromised skin, particularly on the face and body, and not everyone wants, or needs, surgical intervention. That’s where 3D ReFirm positions itself. As Dr Raj explained during our consultation, this treatment was developed specifically to address skin laxity caused by weight fluctuations, ageing, and collagen depletion, without needles, downtime, or invasive procedures. As someone who has personally experienced significant weight loss, this immediately resonated. Tightening, toning and restoring skin quality, rather than changing my face or body, felt aligned with how I approach beauty today. The Treatment Experience My 30-minute session began with a thorough consultation before moving into treatment. 3D ReFirm combines medical-grade radiofrequency technology with electromagnetic muscle stimulation, working on multiple layers of the skin and underlying structure simultaneously. The sensation itself was surprisingly comfortable, a deep, warming heat paired with rhythmic muscle contractions that felt purposeful rather than aggressive. There was no discomfort, no numbing cream, and no sense of “enduring” the treatment, something that often separates true luxury treatments from clinical ones. What stood out most was how considered  the process felt. This wasn’t about instant drama or overcorrection. It was about stimulating collagen, encouraging firmness, and supporting the skin’s own regenerative processes. Results & Reflection Immediately post-treatment, my skin felt tighter, smoother, and noticeably more refined, particularly in areas where elasticity tends to falter after weight loss. There was no redness, no recovery period, and I was able to leave and continue my day seamlessly. But beyond the physical result, what stayed with me was the philosophy behind the treatment. 3D ReFirm isn’t promising reinvention. It’s offering completion, the final step in a transformation journey that many people are now navigating. As Roy Cowley, Founder and CEO of 3D Aesthetics, aptly put it: the weight-loss revolution solved one problem, but this is about addressing what comes next. The Verdict 3D ReFirm feels very much like a treatment of now , intelligent, non-invasive, and rooted in long-term skin health rather than quick fixes. Under Dr Raj Arora’s stewardship, it sits confidently at the intersection of medical credibility and modern luxury. For those seeking skin tightening that respects natural structure, avoids downtime, and works with the body rather than against it, this is undoubtedly one to watch as we move into 2026. Quietly effective. Scientifically grounded. And unmistakably luxe. https://www.3d-aesthetics.co.uk/ https://www.fairmont-windsorpark.com/fairmont-spa-wellness/the-facebible/

This year’s Valentine’s tables move easily between relaxed romance, classic elegance and all-out celebration. Whether you want something cosy and conversational or a night that feels properly unforgettable, these are the reservations that get the mood just right. Cocotte For relaxed, no-pressure romance If set menus make you twitchy, Cocotte keeps Valentine’s refreshingly easy. Go à la carte, order rotisserie chicken with an array of sauces, pile on the sides and let the evening unfold naturally. Comforting, unfussy and consistently good — perfect for couples who want great food without the performance. Address:  Multiple London locations Website:   mycocotte.uk Pivot Bar & Bistro For couples who love to share Pivot keeps Valentine’s intimate and unrushed with curated sharing boards available on 14 February only. Expect generous savoury spreads, indulgent desserts and plenty of wine or cocktails. Ideal for couples who prefer grazing, chatting and taking their time. Address:  3 Henrietta Street, London WC2E 8PS Website:   pivotbarandbistro.com The Trafalgar For pub romance with a playful finish Chelsea’s newest historic pub brings Valentine’s charm without formality. The menu runs from scallops and stone bass to a proper sirloin steak, but the final flourish is the heart-shaped Guinness cake with Baileys mascarpone. Warm, characterful and quietly romantic. Address:  224–226 King’s Road, London SW3 5UA Website:   thetrafalgarchelsea.com Belly For bold flavours and buzzing energy Belly does Valentine’s with confidence and colour. This is not hushed romance, but something warmer and more alive, playful cocktails, generous plates and a lively room that sets the tone. Expect bold Filipino-influenced dishes and the cult pink-and-purple ube tiramisu to finish. Address:  157 Kentish Town Road, London NW1 8PD Website:   bellylondon.com Browns Brasserie & Bar For timeless brasserie romance Browns keeps things classic in the best possible way. Its Valentine’s three-course menu features elevated brasserie favourites, from pan-seared scallops and duo of duck to lobster linguine and a 10oz ribeye. A chocolate sharing dessert and limited-edition cocktails round things off neatly. Address:  Multiple UK locations Website:   browns-restaurants.co.uk/valentines Chez Lui For Parisian intimacy without leaving London Chez Lui feels like a whispered secret. Spread across two candlelit levels, it channels the charm of a tucked-away Parisian bistro, complete with velvet banquettes, antique mirrors and flickering light. The French menu is confident and elegant, with indulgent desserts made for lingering. Address:  184A Kensington Park Road, London W11 2ES Website:   chezluibistrot.com The Botanist, Sloane Square For candlelit Chelsea glamour A Chelsea favourite that knows exactly how to do romance. Candlelit tables, live music and a polished but relaxed atmosphere set the scene, while the Valentine’s menu leans indulgent with scallops, herb-crusted lamb and a baked Alaska designed for sharing. Address:  7 Sloane Square, London SW1W 8EG Website:   thebotanistonsloanesquare.com Langan’s Brasserie For old-school romance and late-night allure A Mayfair institution that still knows how to seduce. Downstairs delivers classic brasserie glamour, while Upstairs shifts the mood with plush red interiors and cocktails worth staying out for. Valentine’s specials lean theatrical and indulgent. Address:  Stratton Street, London W1J 8LB Website:   langansbrasserie.com COYA Mayfair For glamour, drama and full celebration mode COYA leans fully into Valentine’s indulgence. The sharing-led set menu moves through baked oysters, Orkney scallops and Chilean wagyu fillet before finishing with a bespoke Strawberry Kiss dessert. Each reservation includes a bottle of Veuve Clicquot Rosé Champagne to share. Address:  118 Piccadilly, London W1J 7NW Website:   coyarestaurant.com/restaurants/london-mayfair Roketsu For once-a-year, all-in romance Roketsu closes the list with something truly special. Its Valentine’s kappo tasting menu is slow, intimate and quietly luxurious, unfolding seasonal Japanese dishes in a calm, refined setting. Exceptional wine and sake pairings make this a night designed to be remembered. Address:  12 New Quebec Street, London W1H 7RW Website:   roketsu.co.uk

Louis Vuitton has unveiled a truly singular time object, one that sits at the intersection of haute horology, sporting heritage and philanthropy. The French maison is set to auction a one-off football-shaped clock, created to raise funds for UNICEF. Inspired by the iconic monogrammed football Louis Vuitton designed for the 1998 FIFA World Cup in France, the piece reimagines a familiar sporting symbol through the lens of exceptional craftsmanship and mechanical artistry. Perfectly spherical in form, the clock mirrors the traditional hexagonal and pentagonal panels of a football, yet these are no ordinary surfaces. Each panel is entirely transparent, revealing the intricate inner mechanics within. The result is both architectural and mesmerising, allowing the movement itself to become part of the design language. At its heart is a manual-winding mechanical movement developed in collaboration with historic Swiss clockmaker L’Epée 1839. Known for its centuries-old expertise in fine time objects, the maison brings technical gravitas to the piece. Skeletonised and sculptural, the movement features two golden rotating cylinders alongside diamond-set facets, transforming timekeeping into a visual spectacle. Every component has been painstakingly hand-assembled, a testament to the shared savoir-faire of two heritage houses. As with any Louis Vuitton time object of this calibre, presentation is everything. The clock is housed in a bespoke trunk, inspired by the maison’s legendary trophy trunks created for the world’s most prestigious sporting events, from the FIFA World Cup and Formula 1 to the NBA Finals and America’s Cup. Handmade at Louis Vuitton’s historic Asnières atelier near Paris, the trunk combines classic brown-and-beige monogram canvas with gold hardware, and represents hundreds of hours of artisanal work. While the auction date has yet to be announced, Louis Vuitton has confirmed that all proceeds will be donated to UNICEF, reinforcing a partnership that has been ongoing since 2016. Over the past decade, the house has consistently supported the charity’s work for vulnerable children affected by conflict, crisis and displacement. Each year, this commitment has been marked through the release of a Silver Lockit piece, with 2026 seeing the launch of a limited-edition yellow-gold pendant celebrating ten years of collaboration. Rare, symbolic and purpose-driven, the football-shaped clock is more than a collector’s object, it is a statement of how craftsmanship and conscience can coexist at the very highest level of luxury.