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What if your next bottle of agave didn’t sit on a shelf, but on a plinth? Singular Archive is not positioning itself as a tequila brand. Nor is it mezcal. In fact, technically, it is neither. Instead, it arrives as a collection of sculptural art pieces, “bespoke sculptural vessels”, each one housing a small-batch agave spirit that intentionally sits outside Mexico’s official certification system. And that is precisely what makes it so compelling. Designed as Art. Filled with Rarity. Created by Vicente Cisneros, founder of El Silencio Mezcal and a long-standing figure within the agave world, Singular Archive feels closer to a gallery concept than a drinks launch. The debut collection includes 100 intricately engineered metal-and-crystal works titled Prisoners , alongside two striking sculptural pieces known as Dharma , inspired by weathered stone formations. Angular, architectural and unapologetically modernist, these are objects designed to stand alone as contemporary artworks. They are not decorative bottles. They are complete works, vessel and liquid conceived as one. Hidden inside each sculpture is a removable glass container holding the agave spirit itself. Should the owner decide to drink it (a decision that feels almost ceremonial), the inner vessel can later be refilled with another rare expression from the archive, though only while stocks last. Each batch is produced in extremely limited quantities and will never be recreated once depleted. Scarcity here isn’t marketing. It’s permanence. Freedom Beyond Certification The spirits inside are equally considered. Because they are not certified as tequila or mezcal, Singular Archive is free from denomination constraints. That means different agave varietals, unconventional fermentation approaches and collaborations with small-scale producers who experiment rather than industrialise. One foundational blanco, used as a benchmark during tastings, is crafted from blue Weber agave but cannot legally be labelled tequila due to specific fermentation techniques. In the glass, however, it delivers crystalline agave purity and layered complexity. Another expression housed within the Prisoners I  vessel is an extra añejo agave spirit aged for a minimum of three years in a combination of ex-bourbon barrels and French oak, finished in Bordeaux barrique. Expect rich notes of vanilla, espresso and roasted agave, balanced by subtle red fruit and spice. Beyond blue Weber, Singular Archive explores rarer species. Pulquero, made from salmiana agave traditionally used for pulque, offers earthy, bright fruit character with no smoke — an intentional decision to allow the agave’s natural personality to shine. Tepeztate, derived from marmorata agave that can take decades to mature, balances sweet and savoury elements with a grassy finish. As Cisneros has noted, ageing begins long before oak. Some of these agaves spend 20 to 40 years maturing in the ground before harvest. A Collector’s Acquisition Ownership is selective. Prospective buyers must request consideration to purchase. The two Dharma  sculptures have already been sold, with one reportedly achieving $45,000 at launch. Twelve Prisoners I  vessels remain available, starting at $20,000. Future releases — including an upcoming series titled Ghost , will be unveiled over the coming year, though details remain deliberately scarce. For collectors who understand that luxury lives at the intersection of craftsmanship, rarity and narrative, Singular Archive offers something genuinely different: not a bottle to open casually, but a sculptural object that invites contemplation, and, perhaps, one extraordinary pour. https://www.singulararchive.com/

In the world of hypercars, rarity is expected. But occasionally, a commission arrives that feels less like automotive engineering and more like couture. The latest example comes from the Bugatti Sur Mesure personalisation division: a one-of-one Bugatti W16 Mistral named La Perle Rare . And it is, quite literally, a study in light. A Pearlescent Homage To The W16 Era The W16 Mistral already occupies a significant place in Bugatti’s history as the final roadster powered by the marque’s legendary quad-turbocharged W16 engine. La Perle Rare  takes that legacy and renders it in something far softer than brute horsepower: pearlescent paintwork inspired by Bugatti’s signature hand-painted “Vagues de Lumière” finish. The exterior presents a two-tone composition designed to reflect the interplay between ground and sky. The lower body is finished in a warm white hue developed exclusively for this car, while the upper surfaces shimmer in a bespoke gold-infused metallic shade. Fine gold dividing lines trace the bodywork with the precision of jewellery filigree. Even the diamond-cut alloy wheels mirror the two-tone treatment, a detail that ensures cohesion rather than contrast. This is not colour for drama. It is a colour for refinement. An Interior Rendered In White And Gold Step inside and the theme continues with meticulous discipline. Carbon fibre panels throughout the cabin are finished in white, an ambitious decision given the technical challenges of such a treatment. Door panels feature alternating white and warm gold linework, echoing the exterior palette without overwhelming it. Machined and polished aluminium trim adds brightness and tactility, while the inscription La Perle Rare  is stitched along the central tunnel. The same signature appears engraved on the bespoke white-and-gold engine cover and discreetly painted beneath the rear wing, a quiet mark of authorship rather than a loud declaration. Sur Mesure As Modern Craft Bugatti’s Sur Mesure programme exists to push beyond conventional specification sheets. In recent years, the department has produced some of the marque’s most intricate finishes, blending traditional handcraft with advanced engineering. With La Perle Rare , the focus is not on performance figures, although the W16 Mistral’s credentials need no embellishment, but on artistry. It is a reminder that in the upper echelons of automotive design, the hypercar is no longer just a machine. It is a canvas. And in this case, the result feels closer to high jewellery than horsepower.

The Cotswolds has never struggled to attract attention. Postcard villages, honey-toned stone, slow weekends built around long lunches and even longer walks, it is already one of Britain’s most established staycation destinations. Yet in 2027, a new £24 million development will quietly add a different design language to the landscape. Cabü in the Cotswolds, an eco-conscious resort currently under development in Langley, is transforming a derelict former radio transmission site into a contemporary woodland retreat. And rather than leaning into classic Cotswold country-house nostalgia, it is taking its cues from Scandinavia. From Industrial Past To Contemporary Retreat The project, valued at approximately £24 million, will introduce more than 50 self-catered cabins to the site. One-, two- and three-bedroom configurations are planned, designed to accommodate couples, families and small groups. Architecturally, the aesthetic is deliberately restrained. Clean-lined, timber-panelled cabins with subtle green detailing are designed to sit quietly within the landscape rather than dominate it. The approach is modern, but not stark, prioritising natural materials and cohesion with the surrounding countryside. Alongside the cabins, the development will include a central hub with a shop, two bars and an events studio, creating a self-contained village atmosphere rather than a traditional hotel layout. Wellness Without The Theatre Cabü positions itself firmly at the slower end of the wellness spectrum. Plans include an indoor pool and a nature spa featuring saunas, hot tubs and plunge buckets, facilities designed for lingering rather than spectacle. The brand describes its activity offering as “low adrenaline”, favouring woodland walks and unhurried mornings over programmed entertainment. In a region already known for restorative breaks, the concept aligns neatly with the Cotswolds’ existing appeal. It doesn’t attempt to reinvent the area, it refines the way guests might experience it. Stays are expected to run in two-, three- and four-night formats, encouraging longer pauses rather than single overnight visits. An Eco-Conscious Approach Sustainability is central to the project’s positioning. Cabins will be constructed using modern timber engineering methods, with the company stating that zero water is used during manufacture, a detail that reflects a broader industry shift towards lower-impact development. The transformation of a former industrial site into a landscaped retreat also signals an emphasis on adaptive reuse rather than greenfield sprawl. For a region where conservation and heritage are closely protected, this balance will be key. The Cabü Model Cabü already operates two resorts, one at St Mary’s Bay in Kent and another in Killykeen Forest Park in Ireland, both centred around a communal “Cabü House” acting as reception and social space, paired with private cabins and shared spa facilities. The Cotswolds site is expected to follow a similar format: private accommodation balanced with convivial communal areas, encouraging guests to step out of their cabins and into shared spaces. It is a hybrid between hotel and holiday home, structured, but informal. What Will It Cost? Official pricing for the Cotswolds development has yet to be announced. As a guide, current two-night stays for two at Cabü’s Kent location begin at around £395, while similar stays in Ireland are priced closer to £544. Given the Cotswolds’ enduring demand and the scale of the investment, rates are likely to sit within a comparable range when bookings open. The Cotswolds does not lack luxury, but it has often been defined by country-house grandeur and traditional stone estates. Cabü’s arrival suggests something subtly different: contemporary cabins, Scandinavian minimalism and a more relaxed interpretation of retreat living. In a region built on heritage, that quiet contrast may prove its most compelling feature.

This June, a new chapter in British rail travel quietly begins. The Britannic Explorer will make its inaugural departures from London Victoria Station, marking the arrival of the UK’s first modern ultra-luxury sleeper train. With a reported £100 million investment behind it, the project represents one of the most ambitious commitments to luxury rail this country has seen in decades. But beyond the headline figure lies something more interesting: a recalibration of how we experience Britain itself. A Journey Through Landscape The Britannic Explorer’s itineraries are designed as multi-day experiences rather than point-to-point transport. Routes will travel north towards the Lake District, west towards Cornwall, and through rural Wales, three regions long associated with Britain’s most cinematic scenery. Floor-to-ceiling glass panels have been integrated into key carriages, allowing uninterrupted views of fells, coastline and countryside as the train moves steadily through them. It is not engineered for haste. Instead, the experience leans into duration, long stretches of landscape observed properly, without turbulence, boarding gates or airport lounges. Inside The Britannic Explorer The interiors are unmistakably British in tone. Oak finishes, tailored detailing and subtle Art Deco references anchor the aesthetic. Sleeper cabins are intimate rather than expansive, prioritising craftsmanship over excess. Public spaces include a lounge carriage and restaurant, where regionally inspired menus will focus on British produce. Dining is structured around tasting experiences, aligning the journey with the geography it passes through. There is also an onboard wellness element, with treatments and fragrance concepts drawing inspiration from the landscapes on the route, an attempt to connect design, scent and scenery into a cohesive narrative. A Considered Alternative To Short-Haul Travel Luxury rail has traditionally been associated with heritage glamour, but the timing of this launch suggests something more contemporary. As domestic aviation faces growing scrutiny and travellers seek lower-carbon alternatives, rail is increasingly positioned as both practical and principled. For routes such as London to the Lake District or Cornwall, the Britannic Explorer offers a slower but more immersive option. In this sense, the train reflects a broader movement within luxury: a shift from conspicuous consumption towards thoughtful experience. Britain’s Rail Renaissance Europe has long been home to established luxury sleepers, yet the UK has lacked a modern counterpart operating at this level. The launch of the Britannic Explorer places London back into that conversation. Departing from London Victoria, it connects the capital to its most celebrated rural landscapes in a way that feels curated rather than rushed. For international travellers, it offers a distinctly British narrative, heritage, countryside and craftsmanship combined. For domestic guests, it presents a familiar landscape reframed through a different lens. The maiden voyages begin in June 2026. Whether the Britannic Explorer becomes a defining fixture of British luxury travel remains to be seen. What is certain is that it signals confidence, in rail, in design, and in the enduring appeal of experiencing a country slowly. And sometimes, luxury is simply the privilege of watching the landscape unfold at its own pace.

For the thousands of passengers currently stranded across the UAE, this is an understandably anxious time. With national airspace closed and commercial flights suspended, travel plans have been abruptly paused, and clarity on when operations will resume remains limited. This is a fast-moving situation, and official guidance may change. Below, our editorial team has compiled the essential information you need right now, from safety advice and emergency numbers to what to do about flights, hotels and embassy support. Prioritise your safety First and foremost, follow official instructions issued by UAE authorities. As of 1 March 2026, citizens, residents and visitors have been advised to: Seek shelter in the nearest secure building Stay away from windows, doors and open spaces Await further official instructions Remain calm and avoid unnecessary movement outdoors. Monitor official government announcements for real-time updates. Use official information sources only In times of disruption, misinformation spreads quickly, particularly on social media. Always verify information via official channels before making decisions. For reliable updates, follow: UAE Ministry of Interior UAE Ministry of Defence UAE General Civil Aviation Authority Dubai Media Office Abu Dhabi Media Office Dubai Airports Abu Dhabi Airports Avoid relying solely on WhatsApp groups or unverified online commentary. Do not travel to the airport If your departure falls within the current closure window, do not go to the airport unless explicitly instructed to do so. Operations at Dubai International Airport (DXB), Al Maktoum International Airport (DWC) and Zayed International Airport (AUH) are suspended until further notice. Airports and airlines are advising passengers to: Check flight status online Contact airlines directly Await confirmation before travelling to terminals Unnecessary journeys to the airport may add further stress and disruption. Flights and airline guidance With UAE airspace currently closed, commercial departures are suspended. Airlines including Emirates, Etihad Airways, flydubai, British Airways, Qatar Airways and Virgin Atlantic have cancelled or suspended services. If you had imminent travel booked: Check your booking directly via the airline website or app Rebook within the flexible change window offered Request a refund if necessary Keep boarding passes, booking references and identification accessible Ask about alternate departure airports if advised Most carriers are offering fee-free changes within a defined timeframe. If you need accommodation The UAE General Civil Aviation Authority has reportedly arranged temporary accommodation for stranded transit passengers, with hotel placements and meal provisions. If you are not part of an organised transit group: Contact your hotel directly to request a stay extension Ask about distressed-traveller rates Reach out to your Airbnb host regarding flexibility Check whether your travel insurance covers extended accommodation Some local businesses are offering discounted or complimentary stays; however, always verify legitimacy before sharing payment details. Contact your embassy or consulate Your embassy can provide country-specific advice, emergency contacts and updates on potential evacuation or departure options. If you are a British national, monitor guidance from the British Embassy Dubai and consider registering your presence if advised. Other nationals should contact their respective embassies in either Dubai or Abu Dhabi for tailored support. UAE emergency numbers If you require urgent assistance anywhere in the UAE: 999  – Police 998  – Ambulance 997  – Fire Department (Civil Defence) 996  – Coastguard 995  – Search and Rescue 991  – Electricity failure Save these numbers in your phone immediately. A final word Moments like this can feel unsettling, especially when far from home. Remain patient, follow official guidance and prioritise safety over travel plans. Disruptions of this scale are rare, and coordinated responses are underway. Our editorial team will continue to monitor developments and update this guidance as more information becomes available. For further travel coverage and real-time updates, visit thelifeofluxury.co.uk .

While the red carpet glittered just across the river, one of BAFTA weekend’s most refined moments played out in the quiet elegance of The Savoy’s iconic American Bar. Created to mark the hotel’s 16th year as Official Hotel Partner to the EE BAFTA Film Awards, the BAFTA cocktail, Las Flores , was developed in collaboration with Tequila Don Julio, and it felt intentionally considered rather than showy. At its base is Don Julio 1942, a tequila known for its softness and subtle sweetness, which sets the tone immediately. From there, the cocktail layers jasmine vert and apricot liqueur, giving it a delicate floral note and a gentle fruitiness that feels grown-up rather than sugary. A hit of fresh lime brings lift and balance, while absinthe adds depth and intrigue. The finish comes from Peychaud’s bitters, lending warmth and a lingering, slightly spiced aftertaste. What struck me most was how restrained it felt. This wasn’t a cocktail trying to impress through theatrics. Instead, Las Flores  was beautifully balanced, aromatic without being overpowering, smooth without losing character. The Don Julio 1942 came through cleanly, grounding the drink and making it one you could genuinely savour rather than rush. Served in the intimate surroundings of the American Bar, one of London’s most storied rooms, the cocktail felt like a quiet nod to those in the know. Presented on a bespoke BAFTA card, it became less about the menu and more about the moment: a pause between ceremonies, conversations, and celebrations. For me, it was the kind of drink that made sense of its setting. Elegant, composed and unflashy, yet undeniably special, much like BAFTA itself. If the louder after-parties were about celebration, Las Flores  was about reflection. A perfectly judged toast before the night truly began. So, head down to The Savoy this week to grab the cocktail before the exclusive ends.

Once the trophies were handed out, BAFTA’s biggest names headed straight for the night’s most exclusive spot. Following the EE BAFTA Film Awards 2026, the industry’s elite gathered at the Royal Festival Hall after-party, where Tequila Don Julio’s invite-only Winners’ Bar became the ultimate post-ceremony hangout. Among the first spotted was Jessie Buckley, one of the UK’s most critically respected actresses, soaking up the celebrations alongside Mark Strong, a familiar fixture of awards season and prestige cinema. Fashion and culture collided as Leomie Anderson and Munroe Bergdorf arrived, adding front-row energy to the winners’ space, while Russell Tovey, long admired for his stage and screen work, was seen deep in conversation well into the night. Also spotted celebrating were Jamie Winstone, Cat Burns, whose chart success has made her one of the UK’s most recognisable voices, and beauty insider Tish Weinstock, a constant presence on fashion’s most exclusive guest lists. The Winners’ Bar, first launched in 2025, was designed for exactly this moment. While BAFTA winners waited for their masks to be engraved, they were handed a personalised bottle of Don Julio 1942, engraved with their name and gifted as a trophy-night keepsake. Hosting duties fell to Lyas Medini, who kept things lively while chatting with director Akinola Davies and actor Robert Aramayo, both firmly on the industry’s watchlist. What they were drinking Mini Tommy’s Margaritas, served in 5cl Don Julio 1942 bottles with gold straws, were the drink of choice, alongside Coconut Old Fashioneds and Palomas. With engraved BAFTA masks collected and personalised bottles in hand, guests drifted out well past midnight, proof that while the awards may have ended, the celebrations were only just getting started. https://www.donjulio.com/en-gb All image credits go to: Don Julio Winners Bar at BAFTA 2026 Awards After Party

There are moments at London Fashion Week when a show feels less like a seasonal presentation and more like a turning point. We were there to witness exactly that as Paul Costelloe unveiled its Autumn/Winter 2026 collection, a powerful debut from William Costelloe in his first season as Creative Director. Set against the polished energy of the LFW schedule, the show carried a palpable sense of anticipation. From the first look to the final walk, AW26 unfolded as a collection rooted in tailoring, structure and legacy, while confidently signalling a new creative chapter for the house. Tailoring Takes the Lead From the opening moments, it was clear that this was a collection built on precision. Strong, sculpted shoulders and bold proportions anchored silhouettes that felt commanding yet considered. Tailoring crafted from 100% Irish wools and tweeds by Magee Fabrics grounded the collection in heritage, immediately reinforcing the brand’s commitment to craftsmanship. Hand-crafted sculpted florals, formed from the same tweeds, appeared throughout, subtle but impactful details that felt both modern and deeply familiar, bridging past and present. Structure, Softened Watching from inside the show space, the dialogue between structure and fluidity became one of the collection’s most compelling themes. Corsetry and sharply tailored coats were softened with silk and organza blouses, while oversized collars swept dramatically over the head. Wide pleated trousers added movement, creating ease without sacrificing authority. Tonal dressing played a quiet but crucial role. Colour-on-colour styling across blouses, ties and tailored separates enhanced the sculptural quality of the looks, allowing cut and construction to take centre stage. Knitwear emerged as a standout category, with full cashmere rib and cable designs featuring exaggerated collars and sculpted shoulders, powerful yet elegant pieces that felt effortlessly wearable. A Refined Colour Story The colour palette remained tightly edited and assured. Earth-toned tweeds, creams, chocolate and tan browns dominated the early looks, before transitioning into a dramatic finale of black and charcoal. Here, the mood subtly shifted. Sequined suits and tuxedos with diamante button details introduced a refined sense of eveningwear, alongside fluid black-and-silver jacquard dresses that shimmered under the runway lights without tipping into excess. Jewellery with Meaning For the third consecutive season, the house collaborated with jewellery designer PK Bijoux. The sculptural, one-of-a-kind pieces, repurposed from vintage medals, chains and buckles, felt perfectly aligned with the collection’s ethos, blurring the line between heritage craftsmanship and bold modern design. A Collection Woven with Legacy Perhaps the most emotionally resonant element of the show lay in its final detail: an in-house print designed by Paul and William Costelloe together, produced in three colourways. It marks their final collaboration before Paul Costelloe’s passing, an enduring tribute to their shared creative vision. As William Costelloe shared following the show, “My father will always be my inspiration. Creating beautiful clothes for all women to dream and wear with pride and love.” From inside the room, AW26 felt like more than a debut. It was a statement of continuity, confidence and evolution, reaffirming Paul Costelloe’s place at the heart of London Fashion Week, where heritage and modernity walk hand in hand.

Inside the city’s most beautiful Iftar tables, from candlelit Mayfair dining rooms to grand hotel lounges at dusk As the call to prayer nears sunset, London softens. The city that moves at speed all day slows into something gentler, more intentional. During Ramadan, evenings become sacred, not just spiritually, but socially, and nowhere is that more beautifully expressed than around the Iftar table. Across Mayfair, Knightsbridge and the capital’s grand hotels, chefs are quietly crafting menus designed not for spectacle, but for meaning. Dates are placed with care. Juices are poured slowly. Tables are dressed for conversation, not rush. This is Ramadan dining as it should be: refined, generous, and deeply human. Here is where London is breaking fast, beautifully. The Grand Hotel Iftar Where tradition meets ceremony At InterContinental London Park Lane, Iftar unfolds in a setting that feels almost theatrical. As daylight fades over Hyde Park, guests gather in softly lit lounges where menus are designed for sharing, echoing the communal heart of Ramadan itself. Expect dates and fragrant juices to open the evening, followed by generous Middle Eastern-inspired dishes served family-style. It’s elegant without being formal; reverent without feeling restrained. This is Iftar for long conversations and unhurried evenings. Mayfair After Dark An elevated take on breaking fast In Mayfair, COYA Mayfair brings its signature sense of theatre to Ramadan, offering an Iftar experience that feels distinctly modern yet deeply respectful. As sunset hits, the dining room hums quietly, a mix of intimate tables, candlelight and beautifully plated dishes designed to be shared. Think refined flavours, thoughtful pacing and an atmosphere that encourages lingering well beyond the first bite. This is Iftar for those who want tradition, with edge. The Power of the Shared Table Where London gathers Some of the city’s most memorable Iftar moments happen not in hushed rooms, but around long tables filled with laughter. Dishoom captures this perfectly. Their Iftar feasts are built for togetherness: generous grills, rich curries, comforting rice dishes and warming spices, all served in a way that feels celebratory rather than performative. It’s informal, heartfelt and unmistakably London, a reminder that luxury, sometimes, is simply being well fed in good company. Middle Eastern Elegance, Rooted in Warmth Food that feels like home, elevated For those drawn to authenticity and soul, Ayam Zaman offers a more intimate Ramadan experience. Here, Iftar feels personal, plates arriving warm and abundant, mezze encouraging conversation, and hospitality that feels instinctive rather than curated. It’s the kind of place where the evening stretches naturally, dessert arrives unannounced, and no one is watching the clock. Effortless Iftar A Halal-Friendly Classic Done Beautifully For those seeking an unfussy yet elevated way to break fast, Swiss Butter has quietly become a go-to during Ramadan. The concept is deceptively simple: premium cuts of steak, tender chicken or salmon, perfectly cooked and finished with their cult Swiss butter sauce, served with crisp fries and salad. The execution, however, feels indulgent, comforting, rich and deeply satisfying after a day of fasting. Crucially for many diners during Ramadan, Swiss Butter is halal-friendly, making it an easy, reassuring choice for a relaxed Iftar that doesn’t compromise on quality or atmosphere. No elaborate theatrics, no overworked menus, just beautifully cooked food, served promptly, in a setting that feels polished yet approachable. This is Iftar for those who want elegance without excess. Sweet Endings Where Iftar lingers a little longer No Ramadan evening feels complete without something sweet, and London’s dessert scene rises to the occasion. At Raphia, Iftar often continues long after the plates are cleared. Known for its refined take on Middle Eastern–inspired desserts and café culture, Raphia is where groups gather post-meal for pastries, delicate cakes and warm drinks, extending the evening into something slower and more social. It’s less about indulgence for indulgence’s sake, and more about ritual, sharing, talking, staying. The kind of place where dessert isn’t rushed, and the night ends softly rather than abruptly. How to Do Iftar, The Life of Luxury  Way Book early, especially for hotel dining rooms and Mayfair tables Choose sharing menus, they reflect the true spirit of Ramadan Dress for the evening, not the meal: Iftar often turns into hours of conversation Stay a little longer, the best moments always come after the plates are cleared

Italian yacht builder Mangusta has officially raised the bar. Unveiled at this year’s Miami International Boat Show, the brand-new GranSport 38 is a 124-foot masterclass in sporty elegance, architectural intelligence and long-range performance. Designed to sit proudly within Mangusta’s fast-growing GranSport family, the 38 blends cutting-edge engineering with lifestyle-led design, delivering a yacht that feels as thrilling underway as it does at anchor. Asymmetry, Perfected At the heart of the GranSport 38 is an unconventional yet highly considered asymmetric deck layout. The main deck features a single port-side walkway, while the upper deck mirrors this with a starboard-side passage. This deliberate imbalance unlocks significantly more interior and exterior volume than typically found on yachts of this size. The result is a sleek, uninterrupted profile from bow to stern, clean lines, expansive sightlines and a distinctly modern silhouette that feels effortlessly fast, even at rest. Outdoor Living, Elevated The upper deck is dedicated to open-air living, hosting an elegant alfresco dining space alongside a striking bow-positioned infinity pool, designed to blur the boundary between yacht and horizon. Above, the sundeck has been transformed into a secluded private retreat, a space made for long afternoons, sunset cocktails and total escape. At sea level, the two-storey beach club becomes the social heart of the yacht. Fold-out side wings extend the usable deck space, creating an expansive waterfront lounge ideal for swimming, sunbathing or watersports, all with seamless access to the ocean. Interiors by Alberto Mancini Inside, the GranSport 38 is equally compelling. Interiors are penned by acclaimed designer Alberto Mancini, whose signature style blends contemporary luxury with soft architectural lines. The main salon is wrapped in floor-to-ceiling glass, flooding the interior with natural light and uninterrupted sea views. Accommodation is laid out across five cabins for up to 12 guests, supported by quarters for seven crew. The standout is a full-beam owner’s suite, positioned close to the water for an immersive, resort-like experience. True to Mangusta’s bespoke ethos, the entire interior is fully customisable, from materials and finishes to cabin configurations and layout. Power Meets Performance Living up to its GranSport name, the 38 delivers serious performance credentials. Power comes from four Volvo Penta D13 engines, each producing 1,000 horsepower, paired with dual propulsion pods. This setup allows the yacht to reach a top speed of 20 knots, cruise comfortably at 18 knots and achieve an impressive range of up to 600 nautical miles, making it as capable for extended cruising as it is for stylish coastal hopping. A Growing GranSport Family The GranSport 38 now joins its larger siblings, the GranSport 45 and GranSport 54, further strengthening Mangusta’s position at the intersection of high-performance engineering and refined superyacht living. Confident, contemporary and unapologetically bold, the GranSport 38 is more than just a new model. It’s a clear statement of where modern luxury yachting is headed next.

Organised by the British Fashion Council, London Fashion Week is one of the most influential moments in the global fashion calendar. Taking place every February and September, it brings together catwalk shows, presentations, showrooms and cultural events across the capital, showcasing more than 250 designers from Britain and beyond. Known for its experimental spirit and ability to launch global talent, LFW continues to be a vital platform where creativity meets commerce. When Is It? London Fashion Week AW26 runs from Thursday 19 to Monday 23 February 2026. Where Is It? Events take place across London, from landmark venues and galleries to purpose-built show spaces and designer studios, with 180 The Strand once again serving as a key hub. Can Anyone Go? London Fashion Week is a mix of invite-only shows and public-facing experiences. While catwalk shows are typically reserved for industry insiders, many designers livestream their collections or release films shortly after. The BFC’s City Wide Celebration also opens up Fashion Week to the public through talks, pop-ups and immersive experiences. London Fashion Week AW26: Schedule Highlights For AW26, the BFC continues its designer-first approach, waiving show fees for designers on the physical schedule and doubling investment in its Guest Programme to attract international press, buyers and cultural tastemakers. This season’s schedule follows a three-part rhythm: Global names with international influence London Fashion Week favourites The next generation of emerging talent Returning to the calendar are British icons Burberry, ERDEM, Emilia Wickstead and Richard Quinn. They’re joined by acclaimed names including Conner Ives and Patrick McDowell, alongside Fashion East alumni and a strong NEWGEN cohort. Day-by-Day Highlights Thursday 19 February Traditionally a quieter opening day, Thursday has expanded this season with a full daytime and evening schedule. Highlights include runway shows and presentations from Paul Costelloe and Harris Reed, setting an expressive tone for the week ahead. Friday 20 February The busiest day of the week sees over 20 daytime shows. Expect strong momentum from 16Arlington, Patrick McDowell, Bora Aksu and Fashion East, alongside presentations from some of London’s most directional labels. Saturday 21 February Saturday opens with catwalks from Selasi, COMPLETEDWORKS and Labrum London, while cult favourites Chopova Lowena and Talia Byre host presentations. Sunday 22 February A powerhouse day featuring Edeline Lee, ERDEM and Emilia Wickstead, before the evening closes with a theatrical show from Richard Quinn — always one of the week’s most anticipated moments. Monday 23 February The final day wraps up physical shows with Di Petsa, John Richmond and Conner Ives, before London Fashion Week traditionally concludes with Burberry. Online Shows Digital presentations are consolidated on Monday 23 February, running from 10am to 2.15pm. DiscoveryLAB and NEWGEN designers take the morning slots, followed by a curated selection of international and experimental designers later in the day. BFC NEWGEN & DiscoveryLAB BFC NEWGEN NEWGEN remains one of the most important talent incubators in global fashion. Supported designers receive financial backing, mentoring and showcasing opportunities, with the NEWGEN Show Space returning to 180 The Strand for AW26. DiscoveryLAB DiscoveryLAB also returns, offering an immersive platform where fashion intersects with music, art, photography and performance. Select presentations will be available to view online throughout Monday. Sustainability Takes Centre Stage AW26 marks a pivotal moment for sustainability at London Fashion Week. In partnership with Copenhagen Fashion Week, the BFC has introduced a new Sustainability Requirements framework, beginning with the NEWGEN cohort. Designers must now meet Minimum Standards across 18 key sustainability criteria to remain on the official schedule — a significant step towards systemic change within the British fashion industry. City Wide Celebration Fashion Week isn’t confined to the front row. The BFC’s City Wide Celebration runs alongside the shows, offering public access to pop-ups, shopping experiences, panel talks and cultural activations across London. Explore For the full London Fashion Week AW26 schedule and event listings, visit londonfashionweek.co.uk .

In the early 1970s, John Lennon and Yoko Ono quietly rented a modest two-room apartment atop a narrow townhouse on Bank Street, tucked into the heart of West Village. At the time, it was an unassuming address, the kind you might walk past without a second glance. Today, that same location has been transformed into one of downtown Manhattan’s most ambitious private residences: a $75 million, double-wide townhouse spanning nearly 13,000 square feet, created by seamlessly fusing 105 and 107 Bank Street into a single, extraordinary home. From Bohemian Past to Ultra-Prime Present The dramatic reinvention was led by Robert A.M. Stern Architects, the award-winning firm known for marrying classical proportions with contemporary luxury. While the historic façades were carefully preserved, the interiors were completely reimagined, resulting in a 40-foot-wide townhouse that feels almost unheard of in this part of Manhattan. The developer’s brief was unapologetically bold. The goal, as described at the time, was to create something singular, a “unicorn” of New York real estate. And in a city where space is the ultimate luxury, the result is nothing short of monumental. A Staircase With Cultural History Perhaps the most poetic detail is one that nods directly to the home’s musical legacy. A restored cast-iron spiral staircase, once used by Lennon and Ono to access a rooftop terrace, has been carefully reintegrated into the new design. Today, it connects the parlor-level living room to the rear garden, a rare moment where cultural history and contemporary architecture intersect seamlessly. Elsewhere, a six-storey elliptical staircase, crowned by a dramatic skylight, forms the architectural heart of the home. Venetian plaster walls, bronze spindles and a lacquered wood bannister elevate the space, while patterned white oak flooring adds warmth at every landing. Designed for Grand Living, and Privacy The main living and dining space spans the full width of the townhouse, flooded with natural light from oversized windows and opening onto a balcony overlooking the landscaped rear garden. Below, the garden level hosts a chef’s kitchen anchored by double islands clad in White Danby marble, alongside a fireside den and breakfast area that spills directly outdoors. The private garden itself stretches a full 40 feet, an exceptional rarity, complete with its own marble fireplace, blurring the line between indoor and outdoor living. Upstairs, the home offers five bedrooms, including a show-stopping primary suite that occupies an entire floor, complete with a sitting room, dual dressing rooms and a private terrace. Additional terraces are scattered throughout the upper levels, softened with mature planting and greenery. Amenities Worthy of a Private Members’ Club This is not merely a home, it’s a fully realised lifestyle residence. Highlights include a navy-hued study, a top-floor office (which could easily become a sixth bedroom), a plush screening room, a private fitness suite with sauna, and a 1,600-bottle wine cellar designed for serious collectors. A Record-Breaking Address in the Making Dubbed a “Frankenmansion”, the term used for multiple townhouses combined into a single residence, the property has already made headlines. If it achieves its asking price, it is expected to set a new downtown sales record, reinforcing the West Village’s status as one of New York’s most coveted enclaves. While Lennon’s time here was brief and understated, the address has evolved into something far more expansive — a modern architectural landmark that reflects how New York luxury has changed, without erasing the stories that came before it.