A new German shipyard is making a bold entrance into the world of sustainable yachting with the launch of its first solar-electric catamaran. Pioneer Yachts, founded just two years ago by engineer and entrepreneur Mike Frank, has unveiled Pioneer One, the first unit of its new PY60 model. Measuring 60 feet, the catamaran has been designed for long-range, lower-emission cruising, with a focus on efficiency, autonomy and ease of operation. Rather than simply converting a traditional motor yacht to electric propulsion, Pioneer has developed the PY60 from the ground up as a solar-electric platform. Its roof is covered with solar panels, which generate energy from the sun and store it in onboard battery banks. That power can then be used for both the yacht’s electric propulsion system and its hotel load, supporting life onboard while reducing reliance on conventional fuel. “This isn’t another electric catamaran,” said Frank. “It’s a completely new kind of yacht for this segment, built for real operation.” At the centre of the design is a 48-volt electrical system created to support practical long-range cruising. According to Pioneer, the catamaran can run purely on electricity for typical cruising distances, while diesel generators are available when additional power is required. The shipyard has not yet confirmed the yacht’s exact range, but the PY60 has a top speed of 11 knots and a cruising speed of 7.5 knots. For owners, the appeal goes beyond sustainability. Pioneer has also placed emphasis on simplicity, with intuitive controls and streamlined onboard systems designed to reduce the need for a professional crew. It is a detail that could make the yacht particularly attractive to those seeking greater freedom, independence and flexibility at sea. The design itself is far from utilitarian. Created by Italian studio Cossutti & Ganz, the exterior moves away from the boxy silhouette often associated with catamarans, instead adopting a more elegant, curved profile. Inside, Micheletti + Partners has designed a bright, contemporary interior with large panoramic windows that flood the saloon with natural light and open up sweeping sea views. Pioneer says the yacht also features the largest cockpit door in its class, allowing the saloon and aft deck to flow together and creating a stronger sense of indoor-outdoor living. For a catamaran built with long-range cruising in mind, that connection to the water is central to the experience. Pioneer One will now undergo sea trials before making its official debut at the Cannes Yachting Festival in September. Frank plans to use the yacht personally, gathering real-world cruising data that will help shape future production models. “Pioneer One will be more than a showcase yacht; it will become our operational reference platform,” he explained. “By using the yacht ourselves and monitoring its performance under real conditions, we can continue refining the concept and ensure that future boats are shaped by practical experience.” As the superyacht world continues to confront questions around sustainability, fuel consumption and the future of ocean travel, Pioneer’s first launch feels particularly timely. With its solar-electric platform, long-range ambitions and refined design, the PY60 is not simply a new catamaran, but a statement of intent from a young shipyard hoping to help redefine what modern luxury cruising can look like.

Kylie Jenner has reduced the asking price of her Los Angeles mansion by $9.5 million, bringing the brutalist-style estate in Holmby Hills, one of the city’s most exclusive residential enclaves, back to the market for $38.5 million. The beauty mogul and reality television star originally purchased the ultra-modern residence in 2020 for $36.5 million. Now, as she reportedly nears completion on a custom-built mansion in Hidden Hills, another sought-after area of Los Angeles County, Jenner appears to be streamlining her extensive property portfolio. The Holmby Hills home was first listed in late 2025 for $48 million, before briefly leaving the market. It has now returned with a significantly reduced asking price, with Ginger Glass of Compass representing the listing. Set behind 12-foot gates, concrete walls and dense greenery, the property sits on a flat plot of almost one acre in one of Los Angeles’ most prestigious neighbourhoods. Built in 2019 by luxury developer Gala Asher, the estate offers seven bedrooms and 14 bathrooms across the main residence, a guardhouse and two guest apartments. At the heart of the property is a single-storey main house spanning approximately 15,300 square feet. Inside, the residence includes formal living and dining rooms, two kitchens, one designed for entertaining and another for preparation, and a vast primary suite with a den, kitchenette, three fireplaces, dual bathrooms and dressing rooms, a glam room and an outdoor living area. The mansion has clearly been designed with both privacy and entertaining in mind. Additional features include a tiered cinema room, an entertainment wing with a custom slide, a detached gym, a pickleball court and a six-car garage. There is also a covered parking area and a large motor court with space for up to 20 further vehicles. Outside, the home centres around a spacious courtyard with a sculptural swimming pool, bar, outdoor kitchen and alfresco dining area, creating a resort-like setting in the middle of the city. The price reduction comes as Jenner continues to make moves within the Los Angeles property market. She has also reportedly brought another Hidden Hills home, which she has owned since 2016, back to the market for just under $18 million, after initially asking $20.25 million. Jenner, who rose to fame on Keeping Up With the Kardashians before building her Kylie Cosmetics empire, sold a majority stake in the beauty brand to Coty in 2019 as part of a $600 million deal. Alongside her Holmby Hills and Hidden Hills residences, she is also understood to own a desert retreat within the Madison Club, an exclusive golf resort community in California’s Coachella Valley, as well as a Beverly Hills mansion she purchased with Travis Scott in 2018. With its scale, privacy and high-design interiors, the Holmby Hills estate remains one of Jenner’s most high-profile homes. However, the latest price cut suggests the beauty entrepreneur may be ready to move on from the property as she focuses on her next chapter of Los Angeles living.

IYC has announced a new global partnership with INACE Superyachts, becoming the Global Representative for the Brazilian shipyard as it looks to expand its international presence and bring a new generation of explorer yachts to the global market. The collaboration marks a significant step forward for INACE, a shipyard rooted in Brazil’s long-standing commercial and military shipbuilding heritage. Through the partnership, IYC will support INACE’s international sales strategy across its worldwide brokerage network, combining dedicated marketing initiatives, coordinated brand promotion and global market development. Leading the partnership for IYC are Sales Consultants Pierre Vezilier, based in Monaco, and Adam Levine, based in Fort Lauderdale. Vezilier will oversee the European market and wider international territories, while Levine will lead efforts across the United States. Together with IYC’s global team of consultants, they will work closely with clients, industry partners and brokerage houses to build visibility and sales momentum for the INACE fleet. The announcement comes at a time when demand for long-range, explorer-style yachts continues to grow, with owners increasingly seeking vessels that offer capability, comfort and true oceangoing autonomy. “Across the European market, we are seeing a strong and growing demand for long-range, explorer-style yachts that combine capability, efficiency and true onboard comfort,” said Pierre Vezilier. “INACE is particularly well positioned in this segment, with a solid heritage in commercial and military shipbuilding, a strong in-house engineering team, and the capacity to deliver multiple projects simultaneously.” He added that the partnership would allow IYC to introduce “a highly credible and competitively positioned platform to the international market”, offering clients an attractive balance of engineering integrity, customisation and investment value. Adam Levine echoed this sentiment, highlighting the growing relevance of explorer yachts in North America and beyond. “INACE brings an exciting opportunity to the market, delivering capable, long-range yachts with extensive customisation,” he said. “This segment continues to see growing demand across North America and around the globe, as owners seek more capable and versatile platforms.” INACE Superyachts is currently advancing a strong production pipeline of four projects ranging from 104ft to 154ft, with deliveries scheduled between late 2026 and 2027. The shipyard’s portfolio is built around three distinct yacht lines: AVENTURA, designed for long-range exploration and adventure; EXPLORA, which combines expedition capability with contemporary luxury; and DESIGNER, offering fully bespoke projects tailored to an owner’s individual lifestyle and vision. The new generation of INACE explorer yachts is defined by a focus on durability, range and flexibility. Key features include steel hulls and aluminium superstructures, long-range transoceanic capability, expansive deck areas for tenders, water toys and expedition equipment, and generous interior volumes that can accommodate beach clubs, gyms, offices and wellness spaces. Interiors are fully customisable and can be developed in collaboration with internationally recognised yacht designers. For IYC, the partnership represents an opportunity to bring greater international attention to a shipyard with a strong yet under-told story. “The superyacht world moves fast, but the most compelling stories are often found away from the spotlight,” said Raphael Sauleau, CEO of IYC. “INACE Yachts carries a heritage that few yards can match, rooted in Brazil’s proud shipbuilding tradition. They have been crafting distinguished vessels for decades with a level of care and quality that deserves a much wider audience. This partnership is about giving them exactly that, and we’re proud to be the ones to bring the INACE story to a global platform it deserves.” The INACE Commercial Team added: “Together with IYC, we are reintroducing INACE Superyachts to the international market with a renewed vision, a new generation of explorer yachts, and a clear commitment to engineering excellence, customisation, and long-range capability. Our goal is to build upon the success achieved in previous decades, when the shipyard delivered more than 45 explorer yachts to owners around the world.” Combining Brazilian shipbuilding heritage with modern explorer yacht innovation, the partnership signals a new chapter for INACE Superyachts and for owners seeking highly capable, custom oceangoing vessels built without compromise.

Bentley has announced the name of its next model line, with the all-new Bentley Torcal set to become the fourth pillar of the marque’s product portfolio. Revealed ahead of its full London debut on 23 September 2026, the Torcal will sit alongside the Continental GT, Flying Spur and Bentayga, marking a significant new chapter for the British luxury carmaker. The name continues Bentley’s modern tradition of drawing inspiration from extraordinary natural landscapes. Like the Bentayga, Bacalar and Batur before it, Torcal takes its name from a remarkable landmark, El Torcal de Antequera in Andalusia, Spain. Known for its dramatic limestone formations, cliffs and labyrinthine rock structures, the landscape has been shaped over millions of years, creating a fitting reference point for a car Bentley says will set “extraordinary benchmarks”. The word Torcal is also linked to the Latin “torquere”, meaning “to twist”, from which the modern word torque also traces its roots. For Bentley, the reference is more than linguistic. It speaks to the effortless performance, refinement and sense of progression that have long defined the brand. Bentley Chairman and CEO Dr Frank-Steffen Walliser described the Torcal as a car that carries forward the qualities most closely associated with the marque. “For 107 years Bentleys have been the most incredibly complete cars, effortless performance, outstanding comfort, exquisite British handcraftsmanship using the best natural materials and a soundtrack with soul,” he said. “Our new Torcal sets extraordinary benchmarks in every area that matters, and may just be the most considered car in our history.” While Bentley has not yet released full technical details, the Torcal is already being positioned as one of the brand’s most important new models in years. Industry reports suggest it will be Bentley’s first all-electric model, likely taking the form of a luxury SUV or crossover, making it a defining step in the company’s transition towards a more electrified future. New in concept yet Bentley to its core, the Torcal promises to combine the craftsmanship, performance and grand touring luxury that have shaped the marque since 1919, while introducing a more forward-looking vision for the next generation of Bentley customers. Further details will be revealed in the coming weeks ahead of the Torcal’s official unveiling in London on 23 September.

For music lovers who prefer their festivals with five-star suites, lake views and backstage access, The Woodward, Auberge Collection has launched an exclusive new package for Montreux Jazz Festival. Created in partnership with the festival, the experience gives guests rare access to one of Europe’s most iconic music events, combining luxury hospitality in Geneva with all-access privileges in Montreux. Running from 3 to 18 July, Montreux Jazz Festival returns with a headline line-up including RAYE, Sting, Nick Cave, Zara Larsson and PinkPantheress. At the heart of the package is access to Le Belvédère, the festival’s private artist lounge, usually reserved for performers, industry leaders and a select group of guests. In other words, this is not your average festival pass. It is a chance to experience Montreux from the inside, with the possibility of rubbing shoulders with some of the biggest names on the line-up. Guests will also receive festival tickets, guaranteed premium seating or podium views at performances inside Auditorium Stravinski, as well as access to invitation-only VIP events and personalised guided tours. A dedicated on-site hospitality team will be available throughout, with private transfers arranged between the hotel and the festival. The experience is anchored by a stay at The Woodward, Auberge Collection, one of Geneva’s most refined luxury hotels. Set on Quai Wilson, overlooking Lake Geneva and Mont Blanc, the hotel occupies a restored 1901 Belle Époque building that has been transformed into a contemporary all-suite address by architect Pierre-Yves Rochon. With just 26 suites, The Woodward is designed to feel more like an elegant private residence than a traditional hotel. Guests can expect panoramic lake views, beautifully considered interiors and an impressive culinary offering, including Geneva’s only two-Michelin-starred L’Atelier Robuchon, alongside Le Jardinier, Bar 37 and Le Comptoir Woodward in the Old Town. There is also a Guerlain Spa and two expansive floors dedicated to wellness, making it an ideal base for those who want to balance late nights at the festival with slower mornings, spa time and lakeside calm. The Montreux Jazz Festival x The Woodward package includes an overnight stay with breakfast, festival tickets, guaranteed premium seating or podium views, exclusive access to Le Belvédère, VIP events, guided tours and private transfers between the hotel and the festival. The package is priced from CHF 4,600 for two guests per night. For anyone looking to experience festival season without sacrificing comfort, this is less muddy field and more Michelin keys, Mont Blanc views and the chance to find yourself in the same private lounge as the night’s headline act. https://auberge.com/the-woodward/

Formula One is no longer simply a race. It is a global stage where engineering, design, fashion, luxury and culture meet at speed. This weekend, as the British Grand Prix returns to Silverstone, that evolution is being reflected not just on the track, but inside one of the circuit’s most exclusive new spaces. British designer and artist Ben Rousseau has become the only artist with two new separate installations inside The Vale, Silverstone’s ultra-premium hospitality destination created for the British Grand Prix. One piece welcomes guests inside The Vale itself, while another greets VIP arrivals landing by helicopter. Together, the works make Rousseau’s art both the first and final impression for some of Formula One’s most exclusive guests. Created as Silverstone’s highest level of hospitality, The Vale overlooks the paddock entrance, pit lane and final corners of the circuit. Designed for an invitation-only audience of founders, investors, cultural figures, global brands and Formula One insiders, the space reflects the sport’s growing position as a luxury lifestyle ecosystem as much as a sporting event. Ben Rousseau is the only artist with two new installations inside Silverstone's invitation-only new hospitality destination, "The Vale", as the British Grand Prix gets underway this weekend. For Rousseau, whose collectors include luxury homeowners, supercar enthusiasts and private commissioners around the world, the installation marks another milestone in a career built around transforming extraordinary engineering into sculptural, collectable design. Working alongside John Haigh, founder of Racing Gold, Rousseau has developed a creative partnership dedicated to rescuing authentic race-used Formula One components and giving them a second life. Haigh has spent decades sourcing some of motorsport’s rarest engineering artefacts, preserving the history behind championship-winning machinery rather than allowing it to disappear into storage or scrap. Together, he and Rousseau have created a body of work that sits between sculpture, industrial design and motorsport heritage. Taking centre stage inside The Vale is an illuminated artwork created from the race-used exhaust of the legendary Red Bull RB7, the Adrian Newey-designed car that carried Sebastian Vettel to the 2011 Formula One World Championship. Rather than being hidden beneath bodywork, one of Formula One’s most intricate engineering components has been transformed into a sculptural centrepiece, celebrating the craftsmanship usually invisible to spectators. For guests arriving by helicopter, Rousseau’s latest Tempus Aviator timepiece offers a second statement. Inspired by aerospace engineering and mounted on genuine Formula One components, including sections of the sport’s famous legality plank alongside authentic suspension and steering parts, the work reimagines race-winning engineering as functional contemporary art. “Formula One has become one of the world’s great cultural events,” said Rousseau. “It’s no longer just about racing. It’s about engineering, innovation, design, architecture and craftsmanship. “To have one piece selected for Silverstone would have been an honour. To become the only artist with two new installations inside The Vale, and another two within their Escapade venue, at the heart of the British Grand Prix, is incredibly special. “John and I both believe these remarkable engineering pieces deserve a second life. Every scratch tells a story. Every weld represents countless hours of innovation. We’re simply allowing people to appreciate them in a completely different way.” For Haigh, the significance lies in the authenticity of the materials themselves. “These aren’t replicas. They aren’t inspired by Formula One. They are Formula One,” said Haigh. “Every component has earned its place through competition at the very highest level. Working with Ben allows us to preserve that history in a way that respects the engineering while creating something completely unique for collectors.” As millions of fans watch the British Grand Prix unfold around Silverstone, some of Formula One’s most remarkable engineering achievements from years gone by will quietly welcome the sport’s most influential guests. From the first helicopter touchdown to the final chequered flag, Rousseau’s work becomes part of the Silverstone experience itself — not simply as decoration, but as a reminder that Formula One’s beauty has always existed beyond the podium. In the hands of Rousseau and Racing Gold, race-used engineering is no longer only a relic of performance. It becomes memory, sculpture and collectable art.

There are restaurants with a view, and then there is Milky Way. Set 165 metres above Vilnius inside Lithuania’s tallest structure, the newly reopened panoramic restaurant is bringing back one of Europe’s more unusual dining experiences: a full 360-degree rotating restaurant suspended above one of the continent’s greenest capitals. Known locally as Paukščių Takas, Milky Way sits inside Vilnius TV Tower, a 326.4-metre landmark that stands just three metres shorter than the Eiffel Tower. From its elevated dining room, guests can watch the Lithuanian capital slowly unfold beneath them as the restaurant completes a full rotation every 55 minutes. On a clear day, views stretch for up to 31 miles, taking in Vilnius’ UNESCO-listed Old Town, its surrounding green spaces and the lakes and rivers that help shape the city’s landscape. While elevated dining has long been part of the UK’s city restaurant scene, from Duck & Waffle in London’s Heron Tower to Sky Garden and West Tower in Liverpool, Vilnius offers something more unexpected. This is not simply dinner beside a window. It is dinner in motion. As the restaurant turns, diners are given a constantly changing perspective over the city below. Rather than a fixed skyline of glass and steel, Milky Way reveals a softer, slower horizon of rooftops, forest, water and history moving gently around the table. The restaurant’s renewed concept is just as considered as its setting. Led by chef Aleksandras Buiko, the menu reimagines Lithuanian cuisine through a contemporary lens, drawing on local produce and familiar flavours presented in lighter, more refined ways. “We are focusing on fresh produce, as Lithuania grows incredibly crispy cucumbers, mushrooms, herbs and berries coming from local farms,” said Buiko. “Our menu is reinterpreting familiar flavours and ingredients in lighter, modern ways: trout brightened by sea buckthorn and finished with black bread crumble and dill, or another fish dish served with traditional švilpikai potato dumplings.” It is the wine list, however, that gives Milky Way one of its most distinctive talking points. Rather than following a conventional regional or varietal structure, the list has been curated according to altitude, featuring wines from vineyards located at approximately the same elevation above sea level as the restaurant itself. It is a clever concept that connects what is in the glass to where diners are sitting, turning height into a theme that runs through the entire experience. Lithuanian producers also feature through the idea of “northern elevation”, where cool climates, long daylight hours and short growing seasons shape acidity and structure in a way that offers another interpretation of place and environment. “We developed the food and wine side by side, so every pairing feels natural,” Buiko added. “If a wine is recommended with a dish, chances are you’ll find it reflected in the sauce or discover how it brings new dimensions to the flavours on the plate. Together, the cuisine, the wines and the view are designed to create one seamless experience.” The reopening forms part of a wider transformation of Vilnius TV Tower into a multi-layered visitor destination. Alongside the restaurant, the tower is home to two panoramic apartments at 175 metres, offering one of the highest hotel stays in the region, as well as an Edge Walk experience, where visitors can traverse the exterior platform at 170 metres. Yet the tower is more than an architectural landmark. Completed in 1980 as a telecommunications tower, it became a symbol of Lithuania’s fight for independence following the events of 13 January 1991, when unarmed civilians defended it during a Soviet military attack. Today, that history is preserved inside the tower through the Fight for Freedom exhibition. For Sandra Vambutė, Marketing Manager at Vilnius TV Tower, Milky Way’s return is about creating an experience rooted in contrast. “Our aim isn’t to replicate conventional fine dining formats but to anchor the experience in contrast: height versus flatland, urban skyline versus agricultural horizon, and engineered structure versus natural constraint,” she said. With its rotating dining room, altitude-led wine list and sweeping views across one of Europe’s greenest capitals, Milky Way is not just a restaurant reopening. It is a reminder that the most memorable city breaks are often found where culture, history and a little theatre come together — 165 metres above the ground.

Anyone who has ever joined the morning queue outside Rosslyn now has official proof that it is worth the wait. The independent London coffee group has been named the best coffee shop in England, after placing 12th in the inaugural 100 Best Coffee Shops in Europe rankings. It also emerged as London’s highest-ranked café, placing it firmly among the continent’s most celebrated coffee destinations. More than 5,300 cafés across Europe were assessed for the awards, with a panel of 250 coffee experts judging alongside more than 240,000 public votes. For Rosslyn, which has become something of a City institution, the recognition marks a major moment. Founded in 2018, Rosslyn began as a small wedge-shaped café on Queen Victoria Street. Since then, it has grown into nine locations across the City of London, serving tens of thousands of coffees every week while remaining independently owned. Its success is also a win for the Square Mile itself. While London’s speciality coffee scene is often associated with neighbourhoods such as Shoreditch, Soho and Hackney, Rosslyn has helped put the City firmly on the map for those who take their morning flat white seriously. What makes Rosslyn stand out is its blend of exceptional coffee, sharp service and a sense of place. There is a distinctly City feel to the brand, from its polished pace to its recognisable nods to London’s financial district. For co-founder and CEO James Hennebry, the award is especially meaningful given the City’s place in coffee history. “The City of London has one of the richest coffee histories in the world, dating back to the 1600s, and we’ve always wanted to help London become the number one city for coffee in the world again,” he said. He added: “We’ve never been interested in chasing trends. We seek to make great coffee and look after people, and that’s it.” Rosslyn was one of only four UK cafés to make the European top 20, and will now go forward to the World’s 100 Best Coffee Shops awards, due to be announced in March 2027. Beyond the coffee itself, the business has also built a reputation for its values. Rosslyn is a certified Living Wage employer and has actively campaigned for fair pay within the hospitality industry. For Londoners, though, the takeaway is simple: the next time you spot a queue outside Rosslyn, it may be best to join it.

Bugatti has revealed a new one-of-a-kind W16 Mistral, and it is as much a work of art as it is a hypercar. Named Blanc Éternel, the roadster is the latest creation from Bugatti’s Sur Mesure division, the marque’s bespoke customisation programme. Created in collaboration with German porcelain atelier Königliche Porzellan-Manufaktur Berlin, known as KPM, the car brings together Bugatti’s boundary-pushing engineering with centuries-old craftsmanship. The result is a striking black-and-white Mistral that feels almost sculptural. The car is based on Bugatti’s W16 Mistral, a limited-run roadster of just 99 examples and one of the final street-legal models to be powered by the brand’s legendary W16 engine. Beneath the artistry, the performance remains unmistakably Bugatti. The Mistral Blanc Éternel is powered by an 8.0-litre quad-turbocharged 16-cylinder engine, producing 1,578 hp. Paired with a seven-speed DSG dual-clutch gearbox, it can accelerate from 0 to 62 mph in 2.4 seconds and reach a top speed of 273 mph. Yet what makes this car truly special is its finish. The Blanc Éternel marks Bugatti’s second collaboration with KPM, following the one-off Veyron Grand Sport L’Or Blanc, unveiled in 2011. That car introduced porcelain into the world of hypercars in a way that felt both unexpected and deeply luxurious. Fifteen years later, the partnership returns with a more graphic, contemporary expression. For this latest creation, Bugatti’s design team used the Mistral’s digitally developed surface structure as inspiration. Black lines sweep across the white bodywork, highlighting the normally unseen intersections and geometry of the car’s design. The effect is almost zebra-like, but more refined, giving the roadster a dramatic, architectural quality. The detailing continues inside the cockpit, where the leather upholstery has also been hand-taped and painted to echo the exterior design. Porcelain elements by KPM are integrated throughout the car, appearing on the EB logo, KPM logo, fuel and oil caps, engine cover details, centre armrest, speaker covers, window switches and gear selector. Working with porcelain in a car of this calibre is no simple task. The material changes size during the firing process, shrinking by around 17 percent, which means every component must be engineered with extraordinary precision. For KPM, an atelier founded in 1763 by Frederick the Great, the project is a continuation of a craft legacy that has moved far beyond royal tableware. The Blanc Éternel feels like a meeting point between past and future. On one side, there is Bugatti’s W16 powertrain, digital design language and hypercar performance. On the other, there is hand-finished porcelain, traditional technique and the kind of detail usually reserved for collectible art objects. It is a fitting expression of the Bugatti name, a marque long associated with both speed and beauty. Founder Ettore Bugatti was known for treating cars not simply as machines, but as pieces of design. With the Mistral Blanc Éternel, that philosophy feels more present than ever. This is not just a one-of-one hypercar. It is a celebration of what happens when engineering, artistry and heritage meet at the very highest level.

There are Tuscan villas, and then there are Tuscan villas with a 1,000-year-old medieval tower in the garden. Set in the heart of Chianti, surrounded by rolling vineyards, olive groves and the kind of golden countryside that has made this corner of Italy so enduringly romantic, Villa Uglione is a historic estate with a rare sense of place. On the market for €9.8 million, around $11.3 million, the property brings together centuries-old architecture, contemporary comfort and a distinctly Italian way of life. The estate sits close to the villages of Tavarnelle Val di Pesa and Barberino Val d’Elsa, positioned high on a hill with views towards the nearby Castello di Santa Maria and the Apennine Mountains beyond. Across 3.7 acres, the compound is made up of three separate buildings: the main villa, the ancient stone tower and a newly built spa annex. Together, the residences offer approximately 6,700 square feet of living space, with 15 rooms in total, including eight bedrooms and seven bathrooms. There is also permission in place to build an additional guest cottage, complete with its own living room, bedroom and bathroom. Inside the main house, traditional Tuscan character is balanced with a more contemporary sensibility. Wood-beamed ceilings, whitewashed brick, stone archways and rustic textures sit alongside mid-century pieces, rich textiles and modern finishes. The living spaces are bright and open, with a generous sitting room, an elegant dining area and a sleek chef’s kitchen designed for relaxed entertaining. Downstairs, a wine cellar adds to the estate’s sense of old-world charm, while the entire top floor is dedicated to the principal suite. This private retreat includes its own terrace, study, walk-in wardrobe and a spacious bathroom. A second bedroom also comes with its own en-suite. The medieval tower, once a stone fortress, has been reimagined as guest accommodation. It now includes a large living room, four bedrooms and two bathrooms, offering visitors a memorable stay within one of the estate’s most historic features. For wellness, the separate spa building brings a more indulgent layer to the property. The annex includes a jetted tub, sauna, Turkish bath and laundry room, as well as two further bedrooms that could be used for guests or staff. Outside, the grounds are made for slow Italian living. A jasmine-covered gazebo creates a beautiful setting for alfresco lunches and long summer dinners, while a swimming pool, bocce court and oversized daybeds offer plenty of space to unwind. Hidden speakers are placed throughout the gardens, allowing music to carry softly across the estate. Villa Uglione is currently listed for €9.8 million, approximately $11.3 million, with Annalisa Caparelli of Engel & Völkers Siena. See listing here.

Editor’s note: This interview originally appeared in the Winter 2025 issue of The Life of Luxury. Some details may have since changed, but as part of our In Conversation With… series, we are republishing selected print interviews online for our readers to enjoy. There is a soft, effortless luminosity to Amelia Windsor, a grounded ease that contrasts beautifully with the noise of modern life. At 30, she sits comfortably in the honest truth that she does not have everything figured out, and isn’t pretending to. When I ask her to introduce herself without title, expectation or external definition, she smiles, slightly self-conscious, and admits, “I don’t know yet… I’m still trying to figure it out.” There is something quietly radical about that level of honesty in a culture obsessed with certainty. She speaks about identity as fluid, a work always in progress. “You never fully know who you are,” she reflects. “You’re always evolving and learning.” It is a softness that is intentional. Becoming, Gently Her twenties were shaped not by rigid planning but by exploration. Before university, she travelled through India and Thailand, colour, culture, independence, adventure. “I was so young,” she says. “I wasn’t fully appreciating it then.” Yet those experiences built foundations that still anchor her. Then came Edinburgh, the medieval skyline, the literary energy, the cobblestone calm. “Edinburgh is so beautiful. I feel so lucky to have lived there.” She studied French and Italian, absorbing history, art and culture. “When I go back now, I get this nostalgia, seeing the students rushing around. You just wish you had soaked it all in more.” That longing to live more presently drifts throughout her reflections, a lesson learned and relearned. Clothes With Stories, Not Seasons Fashion, for Amelia, is never simply surface. It is narrative, people and craft. During her year in Paris, she interned with Alaïa, a formative chapter that shaped her understanding of precision and artistry. “I felt so lucky to meet him and learn about his impact,” she says. Her favourite piece in her wardrobe isn’t couture, it is a vintage Liberty pink satin skirt discovered at Portobello Market. “I’ve worn it to so many things,” she says. “I still get excited when I see it.” She loves the hunt, the charity shops in Notting Hill, the “huge one in Angel”, the thrill of never knowing what story you will uncover. Her style rule is simple: comfort first. “If I’m uncomfortable, I’m not myself,” she says, with the quiet confidence of someone who has learned to honour her own rhythm. Sustainability, But Make It Real Her sustainability ethos is practical, human and delightfully unpretentious. “No one can be perfect,” she says with a softness that rejects shame, “but small changes make a big difference.” She doesn’t speak about sustainability with the high-gloss tone often attached to it. Instead, she approaches it with curiosity, humility and a healthy sense of humour. For Amelia, it starts with awareness. She reads the labels on clothes, food and cleaning products, not to moralise but to understand. She gravitates toward independent brands, slower fashion and shorter, more considered supply chains. She talks about quality over quantity as though it’s common sense, not a performance. At home, the ethos continues. She’s the type of person who finds both joy and fascination in the everyday, like discovering that vinegar is the ultimate multi-tasker for cleaning her kettle. “It’s amazing,” she says, as though still amused by the simplicity of it. “It just works.” And then, in perhaps the most unexpectedly charming moment of our conversation, she confesses, entirely straight-faced, that she now subscribes to unbleached loo roll. “I didn’t even realise loo roll was bleached!” she laughs, wide-eyed, genuinely shocked. There is no pretension, just the delight of learning something practical and wanting to do better. It is wonderfully relatable, the kind of grounded detail that makes her sustainability feel lived rather than curated. True to her nature, Amelia doesn’t preach. She simply pays attention. Her ethos isn’t about perfection or aesthetics, it is about awareness, noticing what you can change, and doing it with kindness toward yourself and the planet. Morning Rituals, Quiet Luxuries London is relentless, all sound and speed, yet Amelia has carved out rituals that keep her steady. She protects her mornings. No phone for the first hour. “I just need that time to wake up and be present.” She walks around the block for sunlight. She writes in her diary, simple and literal entries. “It’s nothing poetic, just what I did the day before. But it jogs my memory of the nice moments.” Breathwork brings her back when the world feels heavy, five counts in, five out. Pilates adds structure. And at night she reads. “Reading helps me switch off,” she says. “I love getting lost in a story.” Luxury, for her, is presence, gratitude, awareness. “For me, sometimes luxury is as simple as a genuinely good coffee in the morning, a ritual that resets everything. It is those small moments,” she says. “A smile with a stranger. Noticing the world around you.” Dance Floors Are Therapy There is a spark when she talks about dancing, real, euphoric dancing. “Dancing is so important,” she says. “You need to let off steam.” She worries nightlife has dwindled, venues closing and young people losing places where they can express themselves freely. And she makes one point with conviction: you don’t need alcohol for it to matter. “You can be sober and dancing too, it’s just as great,” she says, almost protective of the purity of it. She misses the freedom that existed before phones, when dancing wasn’t content but release. She adores Glastonbury, calling it “magical”, regrets missing Beyoncé and dreams of seeing Red Hot Chili Peppers headline. Turning 30 With No Fear And No Timeline Her thirties do not intimidate her, they excite her. “It feels like a new chapter,” she says. She rejects the societal pressure to be fully formed by thirty. “Everyone has their own journey. What’s the point of comparing yourself?” Her twenties taught her to stop overthinking and to be kinder to herself. Before we finish, she leaves me with a sentiment that feels like her whole ethos distilled. “Don’t take yourself too seriously. Keep evolving. Appreciate the small moments. They’re everything.” And that is her magic, not spectacle, presence. Read The Full Issue This interview originally appeared in the Winter 2025 issue of The Life of Luxury. To read the full magazine, including more exclusive interviews, luxury travel features, property stories, fashion, beauty and lifestyle edits, you can purchase the issue in digital or print. Buy the digital issue here. Buy the print issue here. All photography is owned by The Life of Luxury and Olivia McDermott.

Editor’s note: This interview originally appeared in the Autumn 2025 issue of The Life of Luxury. Some details may have since changed, but as part of our In Conversation With… series, we are republishing selected print interviews online for our readers to enjoy. From the manicured streets of Kensington to the sparkling social scenes across Mayfair, a new star is rising, and her name is Juliet Mayhew. The breakout personality of The Real Housewives of London (RHOL), Juliet is fast becoming the face everyone’s talking about, captivating audiences with her mix of glamour, wit, and unmistakable authenticity. Produced by the same masterminds behind the iconic Real Housewives franchises of Beverly Hills, New York, and Orange County, RHOL is London’s fresh take on luxury, drama, and real-life storytelling. And at the heart of it all? Juliet. Behind The Glamour: The Woman You Didn’t Expect Before the cameras started rolling, Juliet Mayhew was already a force in London’s luxury scene. She ran her own leather goods company, Deus Virtus, sourcing exotic leathers from Italy, Australia, and Thailand — a business whose pieces have been sold worldwide, including at Harvey Nichols in Saudi Arabia, Sauce Dubai, and outlets across the U.S. A former Young Designer of the Year nominee, Juliet’s taste for craftsmanship is matched by her eye for interiors, having graduated from Inchbald and designed exclusive spaces such as a gym for a Mayfair private members’ club. Yet Juliet’s story isn’t just about luxury. It’s about the woman beneath the jewels, a devoted wife and mother, a businesswoman, and a friend who isn’t afraid to reveal her vulnerabilities. “I didn’t want to just be a character on a show,” she says. “I wanted to be myself, with all my imperfections, ambitions, and moments of vulnerability. That’s what makes the show real.” Behind the polished image is a woman who wears her heart on her sleeve, who loves deeply and leads with fierce loyalty. “I love big and I love deep,” Juliet shares. “When I love someone, I love big.” Her love languages are clear: words of affirmation, quality time, gifts, acts of service, and physical touch, a warm, tactile approach that is at odds with the often reserved British social norm. “I’m a big hugger,” she laughs, “and I think physical contact with people makes such a difference.” The Real In Real Housewives: Friendship, Feuds, And Finding Herself For many, the Real Housewives brand evokes extravagant parties, sharp tongues, and headline-making confrontations. RHOL delivers its share of those moments, but Juliet insists there’s a deeper current running through the show. “Yes, there’s drama, it’s part of what keeps viewers hooked,” she says with a knowing smile. “But at its core, the show is about friendship, loyalty, and growth. Watching these women support each other through heartbreak, career moves, and personal challenges is what makes it special.” Juliet’s own journey on the show has been one of candid transformation. From being initially cautious about sharing her private life on camera, she has become one of the most compelling and authentic voices in the cast. “If I could go back to day one of filming, I’d tell myself, ‘You’re okay. Don’t worry so much. Remember, we’re making entertainment. You’re not fighting a civil war,’” she says. Firm in her convictions, Juliet reveals, “I’m older and wise enough now to say, no, stay strong with your convictions. You don’t need a popularity vote. Some people may not agree or might be upset, but you’ve got to stand true to who you are.” That authenticity extends to her perspective on the often-misunderstood lifestyle portrayed on the show. “We all bleed the same blood. We all cry the same tears. People think it’s easy because of the life we live, but everyone has their own struggles,” Juliet explains, peeling back the glossy surface to reveal the very human stories underneath. But, are the tensions we see on camera happening behind the scenes too? On the sometimes fraught dynamic with fellow cast member Panthea, Juliet says, “Panthea is a good woman, she is a beautiful mother and wife, but our relationship is more of a social relationship. I respect who she is, we are two different personalities. In life you have to agree to disagree.” At the heart of it all, Juliet wears her emotions openly. “I wear my heart on my sleeve. I love big and deep. People might not always get that, but that’s me, genuine, disciplined, and loyal.” Ultimately, what elevates RHOL beyond the expected drama, she insists, is the powerful bond between the women themselves. “Watching these women support each other, even through the hard times, shows what this show is really about, friendship, loyalty, and growth.” Investing In Glenapp Castle’s Legacy Of Luxury And Philanthropy Beyond the glitz of The Real Housewives of London, Juliet Mayhew and her husband Anthony invest in one of Scotland’s most exquisite luxury retreats: Glenapp Castle. Acquired in 2015 by Paul and Poppy Szkiler, close family friends and business partners, Glenapp is much more than a five-star hotel. It is a beacon of philanthropy, legacy, and responsible investment. “We’ve made so many happy memories here,” she reflects, “but every stay, every event, contributes to a legacy that changes lives.” The true heart of Glenapp’s mission is rooted in the work of the Truestone Group, chaired by Paul Szkiler. Founded with a vision that transcends profit, Truestone invests in businesses and communities across Africa, Asia, and the UK, tackling social and environmental challenges head-on. Juliet explains, “Their work began in a country ravaged by conflict and hardship... Through microfinancing and leadership training, they’re helping talented individuals rise, creating real, lasting change.” One standout initiative involves building sporting infrastructure in Sierra Leone, home to some of the most gifted young athletes but historically lacking resources. “It’s about more than sport,” Juliet says. “It’s a tool for community building, discipline, and opportunity, giving young people a chance to thrive in ways they never imagined.” This ethos of responsible wealth and meaningful legacy is central to Juliet’s philosophy. “You can’t take it with you when you go,” she says thoughtfully. “What matters is what you leave behind, how you use your resources to make the world better.” Glenapp Castle, with its world-class service and spectacular setting, has welcomed celebrities, world leaders, and discerning travellers from around the globe. But what makes it truly exceptional is how luxury seamlessly blends with heartfelt philanthropy, making it a home not just for guests, but for a cause. For Juliet, Glenapp is more than an investment. It’s a family endeavour, a symbol of legacy, and a reminder that true luxury lies in giving back. Triumph At Chelsea Flower Show: Bringing Vision To Bloom Juliet Mayhew’s flair for creativity shone brightly at this year’s Chelsea Flower Show, where she proudly took home a gold medal. Partnering with London-based event florist Warren Bushaway, Juliet brought her vision to life with a stunning floral display that captivated judges and visitors alike. “I’m always privileged to work with incredible talent,” Juliet reflects. “Warren truly helped turn my vision into reality. Winning gold was a dream come true, but it’s never about one person — it’s a team effort.” For Juliet, the connection between fashion, design, and storytelling is seamless. “Fashion and design are storytelling tools for me, whether it’s a floral arrangement or what I wear on screen. It’s about expressing confidence, creativity, and authenticity.” Styling herself throughout filming and at Chelsea was no small task, but Juliet trusted her own instincts. “I’ve always stayed true to who I am. That same ethos went into my Chelsea creation, it’s about dedication, discipline, and fearless creativity.” More than just a competition, Chelsea was a celebration of collaboration and passion. “It’s about the joy of creation, the power of working together, and the pride in bringing something extraordinary to life,” she says. Motherhood, Family Life, And Style: Juliet’s Real-Life Balance Behind the glittering lights and luxury events, Juliet Mayhew’s true anchor is her family. Fiercely loyal and grounded by her faith, Juliet speaks openly about the legacy she hopes to leave through the values she instils in her children. “You know, I am a fiercely loyal person and I am raising my children to do the right thing and act with integrity. But legacy for me is a very big. I need them to stand up and say I’m proud of mummy,” she says. Raising them as “a gentleman and a lady,” Juliet wants her children to never feel ashamed of her, no matter what. “I just don’t want them to look back and say, mummy, I’m embarrassed.” Her husband remains her steady rock in a world that can often feel overwhelming. “I love my husband very much. He’s been a great support. He always gives me wise counsel,” Juliet shares. “He’s such a good man. He is the calmest, kindest, consistent person I know. And he’s married to this butterfly of emotions and creativity.” The emotional intensity Juliet admits to comes partly from her theatre background and the natural rhythms of womanhood. “Sometimes you will be in a place of being reactive and sensitive and, you know, I’m dramatic. But I think it’s to keep your head on your shoulders and look at the scenario you’re in and make an objective calculation of where you’re at, as opposed to being led by emotion.” She tries to teach her children the same perspective: “Don’t just judge on surface reaction. Try and think there might be something behind that.” The decision to bring cameras into their family life was not taken lightly. “We sat down. We discussed it as a family. My daughter is not in the show, and I’ve respected that”. But, her son Orlando, now 16, appears in the show briefly. “Both of them said, ‘You know what, mommy, you’ve been a great mommy. You’ve been a great wife. This is your time to shine. Go and enjoy it.’ To be fair, I think my daughter was more concerned I was going to jump in her suitcase and come to university with her. So she’s like, ‘Keep yourself busy, you are not coming to university with me.’” At the core, Juliet Mayhew balances the glitter and drama of reality TV with a heartfelt dedication to family, faith, and the legacy she hopes to leave behind. Read The Full Issue This interview originally appeared in the Summer 2025 issue of The Life of Luxury. To read the full magazine, including more exclusive interviews, luxury travel features, property stories, fashion, beauty and lifestyle edits, you can purchase the issue in digital or print. Buy the print issue here.